即刻觀影
劇情賞析
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X 放射線
詹姆斯·惠特摩,埃德蒙·戈溫,詹姆斯·阿尼斯,瓊·韋爾登有個驚嚇過度的小女孩在沙漠游走，唯一吐出的只有一個字：怪物！任何50年代恐怖片迷都會馬上告訴你，她所指的”怪物”就是巨蟻，那是在當地核子試爆后的副產品。這些巨蟻非常有組織，嗜肉且體型巨大，約有8到20呎，它們群聚在洛杉磯的下水道系統，彷若一個巨大的螞蟻園區，準備好要接管這個世界。要和這些怪物對抗的人類精英是新墨西哥警署探員詹姆斯惠特摩，聯邦調查局代表詹姆斯亞尼斯，和一對由埃德蒙關恩和喬安妮威爾登所飾的父女檔昆蟲學家。
動物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.
混凝土烏托邦
李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮福,金學善,樸周勇該片以大地震后荒廢的首爾為背景，講述聚集在此地唯一剩下的“皇宮公寓”里的生存者們的故事。
靜水
泰勒·瑞特,Eric Michael Roy,卡蓮娜·布里奇,Paul Elia,Nino Aldi在明尼蘇達州北部的“邊界水域”中，六個老朋友之間的周末露營之旅在神秘的環境下死亡后變得悲慘起來，隨著他們企圖在本集團內揭露殺手，引發進一步的動蕩。
花心夢里人
陳勛奇,曾志偉,張敏肥招（曾志偉 飾）和凡秋（陳勛奇 飾）是一對從小一起長大的好朋友，但兩人的性格卻大不相同，肥招老實木訥，凡秋則浮華招搖。因投資不善，凡秋被高利貸逼得走投無路，幸虧有好友相助，才得以在肥招家中暫時棲身。此前肥招家里住著一個離家出走的叛逆少女阿君（陳淑蘭 飾），凡秋隨她出席某酒會，認識了美貌和財富并重的美女保蓮（楊寶玲 飾）。以此為契機，他的事業初見起色，隨后更和文靜賢淑的女友莎莉（張敏 飾）分手，與保蓮墜入愛河。 另一方面，害羞靦腆的肥招也開始喜歡上莎莉，在阿君的參謀下，他向這個失意的女子展開了感情攻勢……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster