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亨利·休格的神奇故事
本尼迪克特·康伯巴奇,拉爾夫·費因斯,本·金斯利,戴夫·帕特爾,理查德·艾歐阿德蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細川佳央,橋野純平,中山求一郎黑仙女
安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya私房錢事件
劉瑋婷,張楚松,李婷婷,王迎奇嘔吐戈爾3:慢性折磨嘔吐室
亂馬12:決戰桃源鄉!奪回新娘子!!
山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮同類推薦
時速72
弗蘭克·斯帕諾,喬治·阿克拉姆百萬富翁Diego Verastegui(Gustavo Alatriste 飾)在他自己的家里被殺害,保險箱里寶貴的公文包也被取出來了,當Diego Verastegui的保鏢回到家時,他發現了三名犯罪嫌疑人:Carlos Verastegui(George Akram 飾),百萬富翁的兒子;Anna Karina(Guillermo Londo?o 飾),一個可愛的女孩;安德烈斯,一個放蕩不羈的魔術師。三人各執一詞,究竟他們誰才是殺害Diego Verastegui的兇手?
金剛不壞2024
喬杉,柳巖,梁龍,孫陽,楊新鳴,桑平,劉長純,代樂樂金剛回到了自己曾經生活的地方,然而一切早已物是人非。這時,一起拐賣兒童的事件意外發生,金剛以一個局外人的身份開始尋找被拐的女孩,在這個過程中他的過往也依舊在糾纏著他…… 金剛將不得不面對自己最不愿意正視的傷痛……
畫筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro馬蒂亞是一個畫家,與一位有抱負的歌手同居,他靠藝術市場的變化來謀生。
X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊當真實犯罪迷伊娃-沃(露西·海爾 Lucy Hale 飾)在她 30 歲生日那天被她的好朋友們推到約會應用程序的世界里時,她突然發現自己處于一樁真實謀殺案的中心。 隨著她最喜歡的播客揭露了謀殺案的新細節,她意識到與她約會的三個男人中,有一個可能就是肆虐全城、臭名昭著的 "向右滑動殺手"! 現在,伊娃和她的朋友們要做的,就是在這部精彩絕倫的喜劇驚悚片中,搞清楚哪一個約會對象是同性戀、潛在的丈夫或殺手。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.