即刻觀影
劇情賞析
編輯推薦
藍調之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈爾斯基,Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa影片改編自真實故事，講述兩名時運不佳的音樂人（休·杰克曼與凱特·哈德森 飾）組成一支充滿歡樂氣氛的尼爾·戴門致敬樂團，證明了尋找愛情和追逐夢想永遠不會太晚。
來點茶泡飯如何
深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠藤隆太,松尾貴史,豐原功補,室井滋標題中的「ぶぶ漬け（お茶漬け）どうどす」是一句眾所周知的京都表達，京都人常用這句話以委婉的方式傳達「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題，展現了因京都特有的縣民性而引發的各種鬧劇，并展開了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號扇子店的自由撰稿人澁澤まどか為主人公，描繪了〈京都人〉與從東京而來的〈外地人〉之間的攻防與沖突。
灣岸 midnight the movie
中村優一,小林涼子高中三年級學生朝倉曉生是個車迷，這天他在車行里發現了一輛深藍色的日產FairladyS30Z。這正是傳說中的“惡魔Z”，號稱速度最快的改裝車。據說“惡魔Z”仿佛有著自己的意志，能夠根據情況做出反應，它的高速令人生畏，卻又深深地吸引著追求速度之夢的人們。“惡魔Z”曾經的擁有者都出了事故，這輛車在世上銷聲匿跡了一陣，竟然又出現了。曉生迷上了“惡魔Z”，為之投入了全副精力，試圖去完全掌控它。 繪梨子的哥哥晶夫也因為“惡魔Z”而死，繪梨子非常討厭這輛車，反對讓它復活。然而曉生的熱情感染了她，她在曉生身上看到了哥哥的影子，漸漸地開始支持他?！ ±L梨子的男朋友島達也曾經是晶夫的賽車朋友，他認為應該把“惡魔Z”銷毀，阻止再有人犧牲。達也將愛車黑色保時捷911重新改裝，向曉生發出了戰書。 惡魔Z與黑鳥的對決拉開了序幕……
西區故事
安塞爾·艾爾高特,瑞秋·齊格勒,阿麗亞娜·德博斯,大衛·阿爾瓦雷茨,邁克·費斯特,寇瑞·斯托爾,布萊恩·達西·詹姆斯,麗塔·莫雷諾,寇蒂斯·庫克,凱文·科索拉克,麥迪·齊格勒,朱利葉斯·盧比奧,杰米·哈里斯,阿蒂夫·拉尼爾,何塞·拉蒙·羅薩里奧,克麗絲·懷特赫德,凱爾·艾倫,塔莉婭·萊德,貝爾·邁克爾斯 ,哈維·埃文斯,戴維·比恩,凱爾·休斯,基思·勒克里德·哈里斯電影改編自1957年的百老匯音樂劇，講述了20世紀50年代紐約街頭的“噴氣機幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特 飾）和瑪麗亞（瑞秋·齊格勒 飾）的愛情。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蠅變深淵
徐冬冬,婁淇,張德暉,季葉翠該片是一部融合科幻驚悚與人性拷問的電影。影片以虛構的西岸港為背景，講述了新聞記者濮欣(徐冬冬飾演)在調查跨國企業賽爾斯集團的污染事件時，意外卷入一場由其父親濮教授(張德暉飾演)所在的孤島實驗室引發的基因災難。當實驗創造出嗜血變異昆蟲并失控后，集團為掩蓋真相切斷聯系、銷毀證據，使被困者陷入絕境。為尋找失聯的父親，濮欣與男友江海(婁淇試驗)潛入死島，在怪物橫行、通訊斷絕的險境中，逐步揭開實驗背后的殘酷陰謀。