若妻
1956年的意大利維琴察。安娜（弗洛朗絲;介朗飾）和賈科莫（西律斯 埃利亞斯飾）結(jié)婚已有了些年頭，一直沒有孩子，但妻子安娜非常想有個孩子，因為她的生活并不幸福也絕對無聊。身為律師的丈夫樂于政治活動而花費在市政議會上的時間太多；老母親體弱多病，不斷要求她的照應(yīng)又老是抱怨她。安娜生性靦腆，羞于生理需要之事。還好，家中來了個性格與安娜恰恰相反農(nóng)村女傭年輕漂亮而欲念旺盛的安吉拉（卡特琳 ;米克爾森），多少能幫安娜分擔(dān)一些家務(wù)和生活苦悶。正值旺盛時期的安娜在安吉拉的引導(dǎo)下悄悄地嘗試起親密關(guān)系來......
即刻觀影
劇情賞析
編輯推薦
吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內(nèi)，最新研究的魚類加速繁殖計劃得到了突破，并在繁殖力極低的鯊魚身上試驗成功。實驗室的科學(xué)家們大喜過望，稱這項研究將徹底解決全球食物問題。只有總負責(zé)人博士袁聰認為此舉會破壞現(xiàn)有的生態(tài)環(huán)境，力排眾議下令銷毀實驗鯊魚。然而實驗組的副手莫雷將這些鯊魚看成畢生心血，偷走幾條幼鯊準備轉(zhuǎn)移，誰知在路上被咬傷出了事故，幼鯊逃進下水道進入了大海。沒過多久，若干處海邊出現(xiàn)鯊魚群體襲擊事件，原來這些鯊魚的背后有一只超級巨大的母鯊......
真事信不信
大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨本片以主人公大衛(wèi)·布萊恩架車游歷美國得克薩斯州過程中所見所聞為主線，透過一個個具有鮮明個性的小人物及發(fā)生在他們身上的故事，展示了當?shù)厝藢τ谏詈蛺矍榈莫毺乩斫狻Ｔ撈档梅Q道的是將歌舞與寫實完美結(jié)合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點，也是導(dǎo)演大衛(wèi)·布萊恩對電影藝術(shù)的創(chuàng)新之舉，是一次成功的探索。
送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫爾特·岳本片改編自Jonathan Penner小說《The Bridge To Body Island》。講述的是三個大學(xué)生，特雷弗·梅西,杰弗里·索羅斯和西蒙·赫斯曼在校外無意間釋放出一種超自然實體的故事，凱瑞·安-莫斯、費·唐娜薇等影星傾力加盟。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
全信沒收
馬特·達蒙,本·阿弗萊克,史蒂文·元,緹雅娜·泰勒,薩莎·卡萊,卡塔琳娜·桑地諾·莫雷諾,斯科特·阿金斯,凱爾·錢德勒,內(nèi)斯特·卡博內(nèi)爾,琳娜·埃斯科,辻大介,何塞·巴勃羅·坎蒂略,伊萬·阿馬羅·布隆,艾莉·莫雷諾,肖恩·邁克爾,克里斯·西爾維斯特里,凱瑟琳·德明,戴夫·費里爾,奇里爾·保蘭一群邁阿密警察在一間廢棄的藏身屋發(fā)現(xiàn)數(shù)百萬現(xiàn)鈔，彼此之間的信任開始瓦解。隨著外部人士得知充公金額如此可觀，一切變得疑點重重，到底還剩下什么可以相信？又有誰依然值得信賴？
貞子大戰(zhàn)碟仙
黃焱明,趙紫彤影片主打懸疑驚悚，將中日鬼神文化腦洞大開的融合在一起，兩股勢力的對戰(zhàn)讓影片過程驚喜不斷。高顏值與精良的制作讓這部電影成為難得的網(wǎng)絡(luò)大電影佳品。 影片破天荒的將貞子與碟仙兩個角色設(shè)置成為撕逼對抗，增添了影片的可看性。人性化的處理、懸疑的升級、科學(xué)合理的解釋和恰到好處的驚悚效果，讓影片回歸到了十分理性的邏輯上。主演們均是養(yǎng)眼的俊男靚女搭配，身著統(tǒng)一的校園制服清新亮麗，讓一些男性觀眾對《貞子大戰(zhàn)碟仙》無可挑剔