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劇情提要
日本變態重口影片;幕末時期,無情殺手岡田以藏(中山一也 飾)被官府處死,一縷怨念返回人間,復活后變成真正的殺人機器,以;天誅 rdquo;之名向世人展開血腥復仇。教宗、政客、軍人、警察、武士、親人 各種勢力的代表紛紛擋在他的面前,但在人斬以藏面前無一例外變作死尸。在殺戮的過程中,以藏體內的獸性逐漸占據上風,令其痛苦不已。每當此時,其生生世世的伴侶薩婭(桃井薰 飾)則始終伴其左右。最終以藏殺到至高的殿下(松田龍平 飾)面前,發起最后的攻擊日本著名cult導演三池崇史2004年操刀,集結當下日本眾多實力派明星,共同打造的爭議之作。
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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster