廚師、大盜、他的太太和她的情人
艾爾伯特 bull;斯畢卡（Michael Gambon 飾）及其爪牙敲詐勒索，無惡不作。到了晚上他便會帶著妻子和徒眾來到其所擁有的餐廳用餐，在這里艾爾伯特依然處于中心地位，他高談闊論、粗俗無理，蠻橫地統治者身邊的一切。妻子喬治娜（Helen Mirren 飾）對這個性無能卻兇殘暴力的丈夫敢怒不敢言，只得小心應付然而幾次晚宴過后，喬治娜卻被旁邊桌上一個舉止儒雅的紳士所吸引，憑借廚師的穿針引線，她得以避過丈夫的耳目和情人約會。但私情總有敗露的一天 本片榮獲1991年芝加哥電影評論協會最佳外語片獎。
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他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結實,三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣再見了假面騎士電王
桜田通,佐藤健,中村優一,神田沙也加,秋山莉奈,松本若菜,松元環季,石丸謙二郎,松村雄基煙花1995
山崎裕太,奧菜惠,反田孝幸,蘭迪·黑文斯,小橋賢兒,櫻木研仁,麻木久仁子,光石研,小山勵基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中島陽子兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy動物僵尸
Ione Butler,安德魯·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亞倫·格羅本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti一百樣東西
弗洛里安·大衛·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內德,瑪利亞·佛萬格勒,沃爾夫岡·斯塔姆普,Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler同類推薦
瑞典魚雷
Josefin Neldén,米克爾·福爾斯加德,Arthur S?rbring,麗莎·卡勒希德,貢內爾·弗雷德World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.
我是山姆
西恩·潘,達科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩在星巴克工作的山姆（西恩?潘 Sean Penn 飾），雖已成人，但智力水平只有7歲。一次偶然，他收留了一個流浪女。該女子幫山姆生下了一個女兒后消失得無影無蹤。他給女兒取名叫露西（達科塔?范寧 Dakota Fanning 飾），因為他最喜歡甲殼蟲樂隊的《天空中戴鉆石 的露西》。他非常疼愛自己的孩子。露西在山姆的細心呵護下慢慢地長大了，她發現爸爸不能看懂稍微復雜一些的故事。她在拒絕長大，希望和爸爸一樣。父女倆的生活是那么幸福。地區的教育官員發現了這個特殊的家庭，他們認為山姆沒有能力照顧露西，于是把露西帶走了。傷心極了的山姆一心要掙回露西的撫養權，于是他自以為是的去找該地區最好的律師……
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開丈夫與兒子，也離開穩定的律師工作，在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活，對兒子的愛未減半分，與丈夫也親如摯友，直到那日，她向丈夫吐露與女性的親密關系，完美生活旋即化為一場幻夢。在失去監護權后，她不得不在機構間穿梭，為了見兒子一面奮力一搏，卻不知這樣的困境，何時能走到盡頭？
丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特故事圍繞黃瓊展開，她8歲移民美國，始終難以融入周遭?？释谌朊绹鐣乃V迷于贏得“舞會皇后”頭銜，將其視作被接納的象征。當親眼見證舞會皇后加冕 —— 那正是她向往成為的模樣時，這份執念愈發強烈。為實現目標，瓊發現了一項能改變種族的新科技，借此將自己變成了白人女孩。然而，當她改造后的面容開始衰敗，她的追求走向黑暗轉折，迫使她直面自身行為的后果。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.