愛情色香味 (1994)

9.1 播放:40萬 更新:2026-04-27
主演:周海媚 方中信 

安(周海媚 飾)和史丹利(方中信 飾)是一對結婚多年的夫妻,兩人之間雖然有著很深厚的感情基礎,卻因為性生活不協調而漸行漸遠。面對史丹利的退縮和避讓,安感到非常的傷心,于是決定和一幫好友前往泰國散心。 安的這一群好友各個都是玩咖,保時捷(張蘭英 飾)只追求現在不奢望永恒,總是輾轉在一段又一段的閃戀戀情之間。阿肯(麥兆輝 飾)不相信愛情,只相信身體和身體的碰撞。亞基(曾航生 飾)是一名同性戀者,特殊的性取向讓他在感情的道路上屢屢碰壁。被這樣一群特立獨行的朋友們環繞著,安漸漸開始懷疑起自己保守的愛情觀來。

播放通道

詳細簡介

安(周海媚 飾)和史丹利(方中信 飾)是一對結婚多年的夫妻,兩人之間雖然有著很深厚的感情基礎,卻因為性生活不協調而漸行漸遠。面對史丹利的退縮和避讓,安感到非常的傷心,于是決定和一幫好友前往泰國散心。 安的這一群好友各個都是玩咖,保時捷(張蘭英 飾)只追求現在不奢望永恒,總是輾轉在一段又一段的閃戀戀情之間。阿肯(麥兆輝 飾)不相信愛情,只相信身體和身體的碰撞。亞基(曾航生 飾)是一名同性戀者,特殊的性取向讓他在感情的道路上屢屢碰壁。被這樣一群特立獨行的朋友們環繞著,安漸漸開始懷疑起自己保守的愛情觀來。

同類推薦

時間之外的故鄉

郭輝,朱宇涵,蔡宣萱

大二在讀的安小河,因高利貸等事遭到“追殺”,30歲畫家康梅梅因接到“病?!蓖ㄖ瑑扇讼群蟆疤印被氐胶愫舆叺募亦l,與在村里夢想有一天能在河里找到傳說中金碗的農民康大恒在爭吵和交往中,安小河對康梅梅產生了不一樣的情愫,父女多年的隔閡也冰釋前嫌。

黃金七令之羅剎風云

任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇

  《七令詭事錄》是由徐俊、高悟翔執導,任子豪、何雨宸、李家辛、袁祥仁,徐俊、 領銜主演,劉碩、張宸彬、朱翔、胡建偉、李平安、錢婧睿、曹憶等出演的驚悚、懸疑、恐怖片?! ≡撈v述江湖豪俠薛氏兄妹,薛小風和薛小花被人陷害被卷入掏心慘案中,隨著黃金七令浮出水面,薛氏兄妹聯手警察局總探長段廣龍,將黃金七令背后的秘密一層層揭開。

如來神掌2020

鄒兆龍,巫迪文,唐菲,黃一飛

  龍劍北因為要籌錢救自己病重的妹妹,在一次機緣巧合之下,接觸到神秘組織黑羽會,黑羽會不斷在做人體實驗,企圖造出擁有超能力的改造人。為了錢,龍劍北接受超能力改造。由于控制不了體內的超能力,龍劍北拜了一位老者為師,學習駕馭超能力,學會了如來神掌,并結識了一位武林中的名門正派,二人一同上路,展開了各種緊張刺激的冒險……

草迷宮恐怖殺人事件

Joem Bascon,吉莉安·維森喬,Kristof Garcia

  一處廢棄草叢,發生一系列詭異的殺人魔連環殺人事件,讓警探阿邦(瓊姆芭絲康飾演)展開調查。某夜,他們遇到喬伊絲(吉蓮維琴西奧飾演)與她的一群朋友,揚言要在這片草叢中上哀悼慘遭殺害的親友,實際上她們也是為了調查這一連串真相,而來到了這片草叢。兩邊人馬開始在草叢中搜尋,竟意外發現殺人魔可能并非人類,更像是神秘的超自然力量;而另一位神秘人物史蒂芬(克里斯多夫加西亞飾演),則掌握著這個超自然殺手魔的關鍵真相…。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.