禁忌的沖動

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　該片講述了偉大衛國戰爭期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛了這座“英雄城”并最終打破了德寇的圍困的故事。

　　最近，城市里發生了可怕的殺人事件，一具被切割成6塊的女尸的曝光和兇手的逍遙法外引起了社會的恐慌。作為休假的交換條件，搜查科研究員姜民浩（薛景求 飾）接下了這個棘手的案件。行事雷厲風行的他和推理天才閔瑞英（韓惠珍 飾）聯手，調查取得了突飛猛進的進展，嫌疑人李圣浩（ 柳承范 飾）的名字漸漸浮出水面。　　李圣浩一經逮捕就對自己所犯的罪行供認不諱，可是姜民浩卻發現事實并不是他所說的那么簡單。就在這個節骨眼上，姜民浩的女兒突然失蹤，他明白這絕對和李圣浩脫不了干系。李圣浩告訴姜民浩，若想要得知女兒的下落，就必須和他玩一個解謎的游戲——解開他留在尸體上的謎題。一場以生命為籌碼的賭注開始了。

　　電影講述28歲的女主角無法承受男友求婚的壓力，她選擇以與中學生交朋友的方式來逃避。凱拉·奈特莉在片中扮演一個叫做“梅根”（Megan）的年輕女人，她的男友（馬克·韋伯）策劃了一場別出心裁的求婚，結果嚇壞了她，于是借著休假的名義和16歲的妹妹安妮卡（科洛·莫瑞茲）一起找了 個地方躲了起來。薩姆·洛克威爾在片中將扮演一個叫做“克萊格”（Craig）的老男人。