埃里克·尼采的早年生活

7.5 播放:14萬 更新:2026-04-28

在上個世紀七十年代末期,聰明但缺乏經驗的伊瑞克決心要成為一名導演,他幸運地獲得丹麥國家電影學院的入學許可,費盡心機與情緒不穩定的指導教授及行事缺乏邏輯的怪胎同學奮戰,努力往導演之路前進。

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在上個世紀七十年代末期,聰明但缺乏經驗的伊瑞克決心要成為一名導演,他幸運地獲得丹麥國家電影學院的入學許可,費盡心機與情緒不穩定的指導教授及行事缺乏邏輯的怪胎同學奮戰,努力往導演之路前進。

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亞歷克·鮑德溫,金·貝辛格

  在二次世界大戰后,即將結婚的花花公子開車到賭城作最后一次尋歡,不料邂逅了美麗的女歌手,并發現了她是賭城大亨巴格西的情婦。他該回到自己的規律生活中,還是繼續追求這段冒險的愛情呢?名編劇家尼爾賽門由自己的愛情經歷創作出本片,對男女之間的感情游戲有深刻的體會,所以劇情雖然簡單,趣味性倒不弱。亞歷克.鮑德溫和金.貝辛格因拍攝本片而牽上紅線,可見其演出投入。此外,金.貝辛格親自主唱片中歌曲,頗有幾分性感歌星的架勢。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

黑暗之中

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我聘請了職業殺手

讓-皮埃爾·利奧德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克萊爾

  在為公司勤勤懇懇工作了十五年之后,亨利(讓-皮埃爾·利奧德 Jean-Pierre Léaud 飾)卻落得了一個被解雇的悲慘下場。心中充滿憤懣的他在生活里也四處碰壁,絕望之中,他想到了自殺。可是,無論他使用什么法子,都無法成功赴死,就在這時,他在報紙上看到了一間聚集著黑道分子和殺手的小酒館,他決定去那里試一試。  亨利雇傭了一名殺手(肯尼斯·考利 Kenneth Colley 飾),讓他來取自己的性命,然而,在此之后,亨利意外的邂逅了名叫瑪格麗特(Margi Clarke 飾)的美麗賣花女孩,兩人迅速擦出愛情的火花。生命有了繼續下去的意義,亨利不想死了,然而,他卻怎么也找不到當初和他簽訂了合約的殺手,這也就意味著,從此刻開始,他隨時都有可能遭到殺手的暗殺。