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麥克西恩(米婭·高斯暫無內容Mia暫無內容Goth暫無內容飾)是一個做夢都想要出名的女孩,可現實是,她沉浸于毒品帶來的幻覺和快感之中,并且即將出演一部由她的男友(馬丁·亨德森暫無內容Martin暫無內容Henderson暫無內容飾)指導的色情片。為了拍攝,麥克西恩和男友、攝影RJ(歐文·坎貝爾暫無內容Owen暫無內容Campbell暫無內容飾)、場務洛林(珍娜·奧爾特加暫無內容Jenna暫無內容Ortega暫無內容飾),以及另外的一對主演杰克森(卡迪小子暫無內容Kid暫無內容Cudi暫無內容飾)、波比(布蘭特妮·斯諾暫無內容Brittany暫無內容Snow暫無內容飾)驅車來到了一幢地處偏遠的宅子處。
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劇情簡介
麥克西恩(米婭·高斯暫無內容Mia暫無內容Goth暫無內容飾)是一個做夢都想要出名的女孩,可現實是,她沉浸于毒品帶來的幻覺和快感之中,并且即將出演一部由她的男友(馬丁·亨德森暫無內容Martin暫無內容Henderson暫無內容飾)指導的色情片。為了拍攝,麥克西恩和男友、攝影RJ(歐文·坎貝爾暫無內容Owen暫無內容Campbell暫無內容飾)、場務洛林(珍娜·奧爾特加暫無內容Jenna暫無內容Ortega暫無內容飾),以及另外的一對主演杰克森(卡迪小子暫無內容Kid暫無內容Cudi暫無內容飾)、波比(布蘭特妮·斯諾暫無內容Brittany暫無內容Snow暫無內容飾)驅車來到了一幢地處偏遠的宅子處。
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蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達,戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森禁閉
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艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha看不見的客人
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殺的就是你
一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作,卻被告知這里有一個供奉撒旦的邪教,每個月要殺一個人作為祭品,“今晚,選中了你……”
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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一對黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會怎么辦?對抗強權為黑人群體發聲?并不,妹妹居然造了一架時光機器,回到過去好讓自己的哥哥免于槍殺!