單身勞拉

　　星際聯(lián)盟收到探索飛船發(fā)出的求救信號(hào)后立刻派遣星際精英特種小組前去營(yíng)救，由于機(jī)器故障飛船迫降到那個(gè)荒蕪且怪異的星球上。不久后，船員在星球上發(fā)現(xiàn)了那艘廢棄的飛船，但里面的飛行員都莫名其妙的死去，為了防止尸體異變，他們決定把尸體全部銷(xiāo)毀。隨后船員們發(fā)現(xiàn)了金字塔般的巨大建筑物，然而噩夢(mèng)從此開(kāi)始，他們釋放了金字塔中所有的嗜血星際怪獸，星球瞬間被恐怖包圍，喪尸怪獸一并向人們襲來(lái)，他們?cè)撊绾瓮炀茸约骸?（此片精彩的沒(méi)話說(shuō)，星球大戰(zhàn)般的場(chǎng)景加異型的特效以及著名的cult片演員們齊聚在一塊所產(chǎn)生的名詞是什么？那就是經(jīng)典~！ 這部B級(jí)片的經(jīng)典程度已經(jīng)影響到未來(lái)科幻恐怖電影的發(fā)展前途，像黑洞表面之類(lèi)的電影就是對(duì)其進(jìn)行無(wú)恥的抄襲。影片甚至影響了*本成人動(dòng)漫的一個(gè)類(lèi)型，那就是觸手系漫畫(huà)~片中有經(jīng)典的蠕蟲(chóng)強(qiáng)*金發(fā)奶霸的震撼鏡頭，這就是八十年代恐怖片的魅力……）　

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　在父親的生日宴會(huì)上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來(lái)到工作的醫(yī)院，卻被告知就在不久之前自己剛剛離開(kāi)了醫(yī)院。對(duì)于這一異象，吉娜只以為是同事眼花，但之后發(fā)生的事情卻讓她再也無(wú)法保持平靜——無(wú)論是大街上正在行駛的紅色越野車(chē)，還是車(chē)中所坐的女子，皆和吉娜完全相同。　　無(wú)法控制自己好奇心的吉娜尾隨女子來(lái)到了一幢公寓，過(guò)后，吉娜遭遇了慘烈的車(chē)禍。為了療傷，吉娜開(kāi)始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見(jiàn)所聞告知了男友，后者卻認(rèn)為她不過(guò)是腦部受到了創(chuàng)傷，吉娜陷入了無(wú)盡的恐懼和懷疑之中。

　　由五個(gè)單元故事組成的GOOD TAKE，是香港電影新一代導(dǎo)演的創(chuàng)新作品，包括導(dǎo)演曾國(guó)祥《水泥》，講述警員9413（周柏豪）前往報(bào)案地點(diǎn)查案，最後只留下電話鈴聲卻不見(jiàn)其人，令人毛骨悚然；導(dǎo)演黃智亨的《囍宴》，一個(gè)小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無(wú)奈都盡在心頭；導(dǎo)演黃進(jìn)的《Good Take》，透過(guò)甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事；導(dǎo)演楊龍澄的《不一定》，以型格對(duì)比色彩重構(gòu)暴力血腥鏡頭；導(dǎo)演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰(zhàn)鬼屋一夜遊，遇上中國(guó)殭屍、長(zhǎng)髮貞子和辮子姑娘，過(guò)程又驚又笑！五個(gè)故事各自有著不同風(fēng)格及不同戲味！