劇情縱覽
圣丹斯電影節參賽影片《肯特叔叔》曝光了一款預告片,該片導演喬 ;斯萬博格曾經自導自演過過多部影片和網絡系列硬片,是一個腦袋瓜里裝滿奇思妙想的奇趣導演,此次他選擇了一個40歲的獨身男人為主角,講述了他在一個周末里與女網友的x愛故事,當然他要表現的絕不只是海報上的3人行那么簡單,至于他到底要怎樣表現現代人游魂一般的...
圣丹斯電影節參賽影片《肯特叔叔》曝光了一款預告片,該片導演喬 ;斯萬博格曾經自導自演過過多部影片和網絡系列硬片,是一個腦袋瓜里裝滿奇思妙想的奇趣導演,此次他選擇了一個40歲的獨身男人為主角,講述了他在一個周末里與女網友的x愛故事,當然他要表現的絕不只是海報上的3人行那么簡單,至于他到底要怎樣表現現代人游魂一般的...
任慕英(梁家輝 飾)是一個單親爸爸,以教授鋼琴來撫養女兒Ellen(蔡卓妍 飾)長大。可是女兒升上Band 5后就變得越來越不聽話,令任慕英十分擔心。Ellen一直覺得爸爸十分“娘娘腔”,覺得自己就算有什么麻煩,爸爸也是不可靠的人。Ellen的同學都誤會了她的爸爸是個江湖高手——慕夜飛鷹,相繼要求拜為師傅,此時Ellen才對爸爸改觀。但任慕英被誤以為是絕招的身手,不過是在照顧女兒的時候練出來的。 女兒開始覺得爸爸老了,可她還是到處惹禍,更被慕夜飛鷹的仇家脅持,任慕英為了救回女兒,獨自女兒被困的地方……
16歲男孩赫爾穆特·胡貝納 (Helmuth Hübener) 在目睹猶太朋友被納粹逮捕后,與朋友卡爾和魯迪組建了抵抗組織。他們的勇敢行為使他們面臨納粹德國最高法院的審判。
Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.