偷香
[忘年戀]別名：Stealing Beauty Dancing by Myself 年輕的露西（麗芙 ;泰勒 Liv Tyler 飾）帶著她母親自殺后留下的日記，來到了一個小鎮上探訪母親往昔的好友，并住在雕塑家格雷森的家中。其實四年前，露西就和母親來過這里，還認識了一個叫尼古拉的男孩。她曾經被他送上的一封信深深感動，并和他有過美好的初戀時光。如今，格雷斯家中異常熱鬧，聚集了各路人物，露西美麗的魅力讓這里的男人們紛紛動心，其中患有白血病的作家亞歷克斯更是難以自拔。尼古拉從國外回來，露西卻發現他是個花花公子，枉費當年動了情。此時尋找生父成了露西的心結。她在這段歷程中慢慢成熟，并尋獲心愛那人。
即刻觀影
劇情賞析
編輯推薦
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
他年她日
許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣在一場世紀大地震后，矗立于海中央的“重力墻”將世界一分為二，形成兩個不同的時區和重力環境，“優日區”的一天，是“長年區”的一年。長年區長大的薯仔（許光漢 飾）對來自優日區的實習醫生安晴（袁澧林 飾）一見鐘情，面對時間和地理的巨大阻礙，薯仔和安晴用盡全力雙向奔赴，以年思念，以日相見。在失衡的時空里，他們能否堅定地愛到最后，守護這場刻骨銘心的愛戀？
捕蛇者說
霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場關乎救贖與守護的博弈悄然開啟。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
洋基的驕傲
加里·庫珀,特雷莎·懷特,貝比·魯斯,沃爾特·布倫南,丹·德亞,埃爾莎·揚森,路德維希·施托塞爾,弗吉尼亞·吉爾摩,比爾·迪基,厄尼·亞當斯,皮埃爾·沃特金斯,哈利·哈維,鮑勃·穆塞爾,馬克·凱尼格,比爾·斯特恩,艾迪生·理查茲,哈迪·奧爾布賴特,喬治·萊西盧（加里·庫柏 Gary Cooper 飾）出生在一個貧困的家庭之中，雖然他對于棒球這項運動有著狂熱的愛好，但是母親卻希望他能夠成為一名建筑師，因為在母親的觀念里，建筑師才能賺大錢。盧通過不懈的努力考進了哥倫比亞大學念書，同時也沒有放棄自己的棒球夢想。在一次校級比賽中，盧的全壘打讓他受到了球隊經紀人的注意，與此同時，盧的母親患上了絕癥急需一筆醫藥費，為了拯救母親，同時也為了自己的夢想，盧在20歲那一年簽約成為了洋基隊的職業球員。頭兩年，盧在球隊里的事業并不順利，一直都是坐冷板凳的份，直到1925年，盧在賽場上的優秀表現漸漸吸引了球迷們的目光，兩年之后，盧一躍成為了球隊里最有價值的球員。
無情的城市
金錫勛,趙成夏,徐英姬2012韓國電影《無情的城市》堪稱“韓國版《撞車》”，以9個人物為中心，講述他們在24小時內發生的連環悲劇。李基英在片中飾演一位放高利貸的放債人，他放貸給面臨破產危機的金大宇(金石勛飾)，在金大宇沒能力償還高利貸后李基英就以此為借口威脅金大宇說要摘除他的臟器。特別是李基英在殺死自己的妻子后，當他被指定為嫌疑人接受調查時面不改色、處變不驚、泰然處之的演技表現，令人感到毛骨悚然。