色戒Samsara

? 9.9 播放:47萬 2026-04-24

《色戒》由印裔法國籍導演賓納倫(PAN暫無內容NALIN)執導,籌備七年之久,遠赴印度與西藏接壤的喜瑪拉雅山區實地拍攝,攝制優美壯闊的場面,更深入邊境禁地,揭開苦行僧人的神秘面紗。

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劇情提要

《色戒》由印裔法國籍導演賓納倫(PAN暫無內容NALIN)執導,籌備七年之久,遠赴印度與西藏接壤的喜瑪拉雅山區實地拍攝,攝制優美壯闊的場面,更深入邊境禁地,揭開苦行僧人的神秘面紗。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

火狐

  蘇聯在1982年開發了米格31噴氣機時,全世界大為驚恐,唯一對策只有盜取這架超性能之飛機,而有能力擔任此任務的就只有越戰空中英雄甘德,甘德終于被說服由退休生涯中復出,接受一連串的特種訓練后,前往俄國并與俄國特務數次交手,展開一場驚心動魄的激烈空戰……