即刻觀影
劇情賞析
編輯推薦
搶錢大作戰
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發現此路根本行不通，直到一家名為J.T.馬林經紀公司的股票經紀商找上了賽維斯。 在這個號稱“鍋爐房”的核心辦公室里，多少個一夜間成為百萬富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優異的成績通過了股票經濟人認證考試，開始了他的“成功之路”。他把那些永遠都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長島這個瞬息萬變的商業圈里，良心未泯的賽維斯終于開始面對良心的考驗。
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個感化院的青年在兩名警官的監督下，前往鄉間一所破敗的客棧中接受社區服務，但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個生銹的鐵盤，鋒利的指甲足夠戳穿對手眼睛的精神病患者。 雅克布四年前曾被警官弗蘭克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場……
金錢怪獸
喬治·克魯尼,朱莉婭·羅伯茨,杰克·奧康奈爾,多米尼克·韋斯特,凱特瑞娜·巴爾夫,吉安卡羅·埃斯波西托,丹尼斯·布特斯卡里斯,約瑟夫·D·雷特曼,達瑞·因戈爾夫松,克里斯托弗·鄧漢,安東尼·德·桑多,萊尼·維尼托知名電視財經專家李·蓋茨（喬治·克魯尼 George Clooney 飾）在電視財經節目《金錢怪獸》中擔任主持人而聲名大噪，在節目中經常出現瘋狂舉動，會大聲說出投資建議，不時在節目中用搞笑的道具和音效介紹股市。然而，事實上他是透過內線消息讓他在華爾街成為賺錢高手。一名不速之客（杰克·奧康奈爾 Jack O'Connell 飾），因為聽信投資分析而賠光積蓄，因此在節目直播中綁架了蓋茨與節目制作人帕蒂·芬恩（朱莉婭·羅伯茨 Julia Roberts 飾）。同時全國民眾也透過電視在看著這場玩命直播，而這場挾持行動也揭發了背后更巨大的金融操弄丑聞。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
國王理查德
威爾·史密斯,黛米·辛格頓,薩尼雅·西德尼,安潔紐·艾莉絲-泰勒,喬·博恩瑟,托尼·戈德溫,米凱拉·拉沙·巴塞洛繆,達尼埃萊·勞森,萊拉·克勞福德,埃里卡·林格,諾亞·比恩,克雷格·泰特,喬賽亞·克羅斯 ,小卡爾文·克勞塞爾,沃恩·W·希伯倫,小吉米·沃克,凱文·杜恩,布拉德·格林奎斯特,布蘭頓·莫拉萊斯,愛麗珂謝弗,安迪·比恩,朱迪思?查普曼,切特·格里索姆,喬納森·貝萊,卡特里娜·貝恩,里奇·索莫,艾琳·庫明斯,湯姆·德格南,弗吉尼亞·施奈德,瓦萊麗·戴維森,漢娜·巴爾福特,梅爾·法爾,瑪麗·帕斯科,該片劇本排2018年好萊塢“劇本黑名單”第二，講述理查德·威廉姆斯的真實故事，這位精明務實、不屈不撓、沒有任何網球背景的父親培養 出了兩個網球天才，她們后來成了超級巨星——維納斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯為女兒們的職業網球生涯起草了一份78頁的計劃，女孩們在康普頓破舊、雜草叢生的公共球場上學會了這項運動。據報道，在那之前，她們的父親與一些不喜歡這項運動、不肯讓位的年輕硬漢發生了爭執。威廉姆斯姐妹后來成為了網球史上最偉大的女選手之二。
黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck大衛·斯雷德(《漢尼拔》)將為米高梅執導新片[黑暗收割](Dark Harvest，暫譯)。影片根據同名恐怖小說改編，邁克爾·吉里奧([龍與地下城])撰寫劇本。故事發生在1963年的萬圣節，圍繞著一個叫“十月男孩”展開。每年萬圣節，他都會手拿屠刀，從玉米地里爬起來，走向小鎮。無論是獵人還是獵物，“十月男孩”都是一年一度生死儀式的獎品。皮特知道，殺死“十月男孩”是他逃離這個窮途末路的小鎮的唯一機會。他愿意冒著生命危險去贏得勝利。但在夜晚結束之前，皮特將發現“十月男孩”可怕的真正秘密。