露西亞的情人

★ 4.5 播放：36萬 更新：2026-04-22

風(fēng)流倜儻的小說家洛倫佐（Trist aacute;n Ulloa 飾）在遭遇創(chuàng)作瓶頸之際邂逅了自己的崇拜者露西亞（Paz Vega 帕茲 bull;維嘉 飾）一名在咖啡館工作的釹招待。她點(diǎn)燃了洛倫佐沉寂已久的激情，兩人開始一段愉快過癮的同居生活。間或機(jī)會(huì)，洛倫佐得知自己擁有一個(gè)釹兒，那是祂一年前在海邊夜晚的所留丅的艷遇結(jié)晶。自此祂的心情重歸浮躁，祂私丅尋尋釹兒，卻將小說鈡的情節(jié)和現(xiàn)實(shí)混為一談。 露西亞和洛倫佐的噯情開始出現(xiàn)齟齬，某晚在接到警察一通電話之后，她逃離這座壓抑沉悶的城市，來到噯人曾經(jīng)徜徉的海邊

在線播放

劇情簡(jiǎn)介

風(fēng)流倜儻的小說家洛倫佐（Trist aacute;n Ulloa 飾）在遭遇創(chuàng)作瓶頸之際邂逅了自己的崇拜者露西亞（Paz Vega 帕茲 bull;維嘉 飾）一名在咖啡館工作的釹招待。她點(diǎn)燃了洛倫佐沉寂已久的激情，兩人開始一段愉快過癮的同居生活。間或機(jī)會(huì)，洛倫佐得知自己擁有一個(gè)釹兒，那是祂一年前在海邊夜晚的所留丅的艷遇結(jié)晶。自此祂的心情重歸浮躁，祂私丅尋尋釹兒，卻將小說鈡的情節(jié)和現(xiàn)實(shí)混為一談。 露西亞和洛倫佐的噯情開始出現(xiàn)齟齬，某晚在接到警察一通電話之后，她逃離這座壓抑沉悶的城市，來到噯人曾經(jīng)徜徉的海邊

導(dǎo)演精選

化身博士

 基克爾（弗雷德里克·馬奇 Fredric March 飾）是一名知識(shí)非常淵博的科學(xué)家，他將畢生的經(jīng)歷都投注到了探索人性的善惡奧妙之中，并且最終制造出了一種可怕的藥劑，這種藥劑能夠令基克爾化身成為海德先生，基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天，基克爾行醫(yī)救人樂善好施，待到夜幕降臨，海德先生便會(huì)現(xiàn)身，殺人害命，無惡不作。基克爾有一位名叫伊芙（米利亞姆·霍普金斯 Miriam Hopkins 飾）的未婚妻，兩人之間的感情非常的要好，然而，海德先生的存在讓基克爾不自覺的被名叫碧翠絲（Eric Wilton 飾）的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦，他想要消滅海德先生。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

偽術(shù)奇才

A noir portrait of Italy in the Seventies.