劇情簡介
高三生春樹與元喜為了完成春假作業「人物記錄」，決定追查學生會副會長千里的個人癖好。兩人在跟蹤途中發現，附近公車站牌有位賣乳酸菌飲料的女子，她性感的穿著吸引許多上班族，春樹與元喜也對她好奇不已，因此他們決定改變目標，開始跟蹤性感女子，卻意外開啟了探索情慾的大門
為你推薦
奪命網紅2
卡桑德拉·諾德,喬治娜·坎貝爾,麗莎·德拉馬爾,喬納森·懷特賽爾,維羅妮卡·隆,迪倫·普萊費爾在法國南部，一位年輕女性對謀殺和身份盜竊的令人毛骨悚然的癡迷將她的生活卷入了混亂之中。
蒙特利爾，我的美人
陳沖,夏洛特·奧賓,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang53歲華裔移民鳳霞（陳沖 飾）在加拿大蒙特利爾已經生活了大半輩子，人生被“妻子、母親、移民”的身份牢牢捆綁：一段早已失去愛意的婚姻、需要照料的家庭、中西文化的夾縫，讓她活成了別人期待的樣子，也壓抑了真實的自我。直到她遇見充滿活力的年輕魁北克女孩卡米爾（夏洛特·奧賓 飾），一段意外的親密關系喚醒了她埋藏多年的欲望與渴望。鳳霞被迫直面內心的渴望，在家庭責任與自我解放、傳統束縛與自由人生之間，做出艱難卻決絕的選擇，完成一場遲來的中年覺醒與自我救贖。
陷入麻煩的女孩
Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內，最新研究的魚類加速繁殖計劃得到了突破，并在繁殖力極低的鯊魚身上試驗成功。實驗室的科學家們大喜過望，稱這項研究將徹底解決全球食物問題。只有總負責人博士袁聰認為此舉會破壞現有的生態環境，力排眾議下令銷毀實驗鯊魚。然而實驗組的副手莫雷將這些鯊魚看成畢生心血，偷走幾條幼鯊準備轉移，誰知在路上被咬傷出了事故，幼鯊逃進下水道進入了大海。沒過多久，若干處海邊出現鯊魚群體襲擊事件，原來這些鯊魚的背后有一只超級巨大的母鯊......
月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯迪·達馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特1988 年，心懷偵探夢想的費城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環殺手，此人每隔 9 年就神秘地出現一次。但是當殺手的罪行開始違背所有的科學解釋時，洛克對真相的癡迷可能會毀掉他的事業、家庭，甚至是他的心智。《月影殺痕》是一部混合題材的心理驚悚片，探討了時間的力量，以及時間的流逝如何使我們相聚又分開。該片由吉姆·米可執導，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。
列寧格勒牛仔征美記
馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯列寧格勒牛仔搖滾樂隊的幾個成員裝扮怪異，戴大墨鏡，燙飛機頭，夸張的火箭鞋就是他們的標志?？稍谒麄兊募亦l看不見事業成功的希望，于是他們決定轉戰美國尋求機會，在即將出發的前夜，貝斯手卻被凍死，盡管如此，隊員們還是將他裝入了放滿冰塊的木箱中帶上了旅途。此時同村的一個怪異的啞巴 偷偷跟隨樂隊來到了紐約。紐約的機會并不如他們想象的豐富，困窘的生活仍在繼續，在他們走投無路之時，得到了一個來自墨西哥的婚宴演出機會。于是他們用僅剩的錢從一個美國售貨員（吉姆?賈木許 Jim Jarmusch 飾）手中買了一輛舊車后繼續向墨西哥進發，那里有他們最后的夢想……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.