女傭

5.9 播放：78萬 更新：2026-04-24

《女仆》是智利年輕導演賽巴斯丁;西瓦的第二部長片電影。 故事的主人公是位服務了主人家23年的女傭人。智利女仆拉奎爾（卡特琳娜 ;薩維德拉 Catalina Saavedra 飾）是智利傳統(tǒng)中上階層家庭的傭人。她一個人照顧這一大家子，每天鬧鐘響起，開始忙碌的一天，作飯、洗衣、打掃，照顧三個被她寵壞的小男孩，及兩個與她作對的大女孩。她在這個家庭服務了23年，深知家中每個人的秘密，猶如這個家庭里的成員，連主人都要敬她三分。女主人體恤拉奎爾的辛勞，決定幫她找個助手。然而工作是拉奎爾生活的全部，這個領域根本容不得他人越雷池一步，她盡心機、耍盡手段，想盡辦法搞走新來的女仆。直到善良單純的新女仆露西的帶來，讓拉奎爾自我禁錮已久的心靈也開啟了一扇門。 　　

播放通道

詳細簡介

《女仆》是智利年輕導演賽巴斯丁;西瓦的第二部長片電影。 故事的主人公是位服務了主人家23年的女傭人。智利女仆拉奎爾（卡特琳娜 ;薩維德拉 Catalina Saavedra 飾）是智利傳統(tǒng)中上階層家庭的傭人。她一個人照顧這一大家子，每天鬧鐘響起，開始忙碌的一天，作飯、洗衣、打掃，照顧三個被她寵壞的小男孩，及兩個與她作對的大女孩。她在這個家庭服務了23年，深知家中每個人的秘密，猶如這個家庭里的成員，連主人都要敬她三分。女主人體恤拉奎爾的辛勞，決定幫她找個助手。然而工作是拉奎爾生活的全部，這個領域根本容不得他人越雷池一步，她盡心機、耍盡手段，想盡辦法搞走新來的女仆。直到善良單純的新女仆露西的帶來，讓拉奎爾自我禁錮已久的心靈也開啟了一扇門。 　　

同類推薦

119緊急呼叫2026 橫濱大停電

清野菜名,瀨戶康史,見上愛,一之瀨颯,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀內敬子,遠山俊也,長野博,莉子,柏原收史,丸山禮

　　年末的橫濱消防通信指令中心異常繁忙，事故、疾病、火災與各種糾紛不斷。此時，是否引入“AI指令員”取代人工的議題引發(fā)內部對立。除夕夜突發(fā)大規(guī)模停電，全市混亂、報警激增，指令員們在極限狀態(tài)中持續(xù)接警與指揮救援。作品描繪他們直面困難時堅持工作的理由，以及“拯救他人”這一行為的真正意義。城市陷入黑暗，他們必須用僅存的“聲音”守護生命。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

圣誕奇遇結良緣

林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江

　　故事梗概　　本片為香港德寶電影公司的創(chuàng)業(yè)巨制之一，由杰出的攝影指導鐘志文升任導演，是一部熱鬧的浪漫冒險喜劇。內容描述一名地下軍火專家制造了一個小型炸彈企圖有所不軌，計劃被助手知悉，以致他殺人滅口，但卻被三名互不認識的平凡寂寞人目睹此事件。兩名瘋狂殺手奉命追殺三名目擊者，他們乃展開逃亡，過程中發(fā)揮同舟共濟的精神來化解危機。全片是典型以追殺為主戲的娛樂片，但不強調暴力動作，反而有不少驚險笑料。三個主角的個性也純真好玩，將都市寂寞人偶然碰到刺激遭遇時的反應生動地表現(xiàn)了出來。

在魔鬼門前

娜雅·里維拉,阿什莉·里卡茲,科林·伊格斯菲德

　　一幢待售的房子，交到了年輕的女房產經紀莉手上，她在房里發(fā)現(xiàn)了一個精神有些異樣的女孩，她以為那是前任房主離家出走的女兒，便想伸出援手，誰知女孩似乎被一種超自然的力量控制，莉和她的藝術家姐姐薇拉，都難逃她的魔掌…

陰陽眼見子2025

原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀,京本大我,瀧藤賢一

　　改編自泉朝樹創(chuàng)作的同名暢銷漫畫，講述女高中生突然發(fā)現(xiàn)自己能看到鬼魂，她選擇假裝看不見，即使同學被鬼魂纏身，她也視而不見。她能通過這種方法克服這場危機嗎？