劇情縱覽
這是一個坦率而獨(dú)特、充滿爭議和令人費(fèi)解的故事憤世嫉俗的佩爾Per(拉斯 middot;米克爾森飾)是個60歲的老人,他不甘吃勞保,在一幢現(xiàn)代公寓做管理員。盡管他的腰背有傷脖頸僵硬,但每天他都把臟累苦的工作做得有條不紊 佩爾的心情一直不好,臉上毫無喜悅表情。他的妻子很早就離開了他,而在他看來,蹲監(jiān)剛剛出獄的兒子卡斯滕Carsten(萊夫 敘爾韋斯特飾)只能算作個卑鄙小人。父子關(guān)系很僵。
這是一個坦率而獨(dú)特、充滿爭議和令人費(fèi)解的故事憤世嫉俗的佩爾Per(拉斯 middot;米克爾森飾)是個60歲的老人,他不甘吃勞保,在一幢現(xiàn)代公寓做管理員。盡管他的腰背有傷脖頸僵硬,但每天他都把臟累苦的工作做得有條不紊 佩爾的心情一直不好,臉上毫無喜悅表情。他的妻子很早就離開了他,而在他看來,蹲監(jiān)剛剛出獄的兒子卡斯滕Carsten(萊夫 敘爾韋斯特飾)只能算作個卑鄙小人。父子關(guān)系很僵。
這是一個坦率而獨(dú)特、充滿爭議和令人費(fèi)解的故事憤世嫉俗的佩爾Per(拉斯 middot;米克爾森飾)是個60歲的老人,他不甘吃勞保,在一幢現(xiàn)代公寓做管理員。盡管他的腰背有傷脖頸僵硬,但每天他都把臟累苦的工作做得有條不紊 佩爾的心情一直不好,臉上毫無喜悅表情。他的妻子很早就離開了他,而在他看來,蹲監(jiān)剛剛出獄的兒子卡斯滕Carsten(萊夫 敘爾韋斯特飾)只能算作個卑鄙小人。父子關(guān)系很僵。
占士邦(譚耀文 飾)長得一表人才又頗具才干,是廣告行業(yè)內(nèi)出了名的花花公子。因?yàn)閷Ω星槿鄙傩湃危隁q漸長的他依舊保持單身,在內(nèi)心里,他一直希望能夠出現(xiàn)一個“完美的女人”,捕獲他的真心。 最近,占士邦在工作上遇到了點(diǎn)麻煩,他需要策劃一支啤酒廣告,卻苦于沒有靈感。就在這個節(jié)骨眼上,仿佛是上天賜給他的禮物,一個神秘的女子茱莉亞(舒淇 飾)出現(xiàn)在了占士邦的生活之中,只是,當(dāng)占士邦開始注意到茱莉亞之時,她早已經(jīng)消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感,工作上的問題迎刃而解,與此同時,占士邦亦對茱莉亞的真身產(chǎn)生了興趣。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
該劇主要講述了古代傳奇女俠李四娘的一段經(jīng)歷。揮劍斷水,水更流,血濺四方,收刀看山,山在天,玉女情仇。 明嘉歷年間,從長白山到廣東參加武林大會的武林頂尖高手敖龍帶著師弟王虎,在客棧輕易擊敗“山西五虎”,得到暗中觀看的客棧老板娘李四娘的親膩,敖龍經(jīng)不起媚香軟骨、自投羅網(wǎng)的與李四娘一夜快活風(fēng)流......次日,敖龍帶領(lǐng)徒兒到玉女山莊找到莊主楊夫人報(bào)兩年前的 之仇,一翻驚心動魄的打斗后,最后師弟王虎感覺事有蹊蹺,即提出在武林大會中解決兩家的仇怨。 武林大會在盟主齊大俠的主持下進(jìn)行,敖龍此時并沒有在大會上提出與楊夫人的仇怨,使楊夫人頓感詫異。而有兩個為家中雞鴨偷搶的人來到武林大會要求解決,齊大俠頓時感到殺機(jī)重重一場武林浩劫可能即將到來。夜間晚宴,果然有人提出重選新盟主,武林群雄力推齊大俠連任,只有敖龍反對,導(dǎo)致所有人不歡而散,群雄聚宴,酒后的李四娘不惜肌膚相親、百般挑逗引誘少林大師,讓大師神魂顛倒......此舉恰被一道姑瞅到,頓然芳心蕩漾、意亂魂迷,大膽飛紙傳情約大師林中風(fēng)流......當(dāng)晚,敖龍與李四娘合謀用計(jì)在客棧將齊大俠害死,搶走“秘籍”,并嫁禍楊夫人。師弟王虎出于仁義,決心幫助楊夫人。楊夫人的老公楊充見王虎與自己老婆接角頻,頓起疑心,暗中監(jiān)視。恰恰王虎誤入閏房撞見在洗浴中的楊夫人......被楊充當(dāng)場遇到,楊充急火沖天,一氣之下挾女兒憤然離開山莊,那知半路被走火入魔的敖龍擒住。一場郊外的血腥混戰(zhàn),讓本不平靜的江湖再掀風(fēng)云,武林的浩劫終于爆發(fā)了.........
A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.