即刻觀影
劇情賞析
編輯推薦
摩羯星一號
埃利奧特·古爾德,詹姆斯·布洛林,薩姆·沃特森,O·J·辛普森,哈爾·霍爾布魯克,凱倫·布萊克,特利·薩瓦拉斯故事梗概: 由領隊布魯貝克等三名宇航員駕駛的美國宇宙飛船《摩羯星一號》因質量不好未能起飛,宇航主任凱洛威博士為騙取國會的預算,強迫宇航員參加了一場在攝影棚內模擬飛行同時進行電視實況轉播的騙局.為了騙局不被戳穿,還決定宣布飛船降落時因事故機毀人亡,秘密殺害宇航員.宇航員沖出攝影棚后,兩人被打死.死里逃生的布魯貝克出現在追悼會上,揭露了事實真相.
特雷弗·諾亞：苦中作樂
特雷弗·諾亞從社交媒體差評到治療師的真相炸彈， 特雷弗·諾亞在這場搞笑、犀利又輕快的單口喜劇演出中將混亂變為喜劇。
尋愛之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗熱愛射飛鏢的柯林看店為業，為了贏回紅杏出牆的妻子芳心，他跳脫常軌，離開熟悉的故鄉，橫越全國。當他經過美麗的高山地區，來到碎石嶙嶙的黑池時，連著遇到一些人和事，改變了他的新生活。是一部好笑又非常人性的影片。
正義救贖
高駿,張敏莉莉聯合男友二毛假綁架騙父王總200萬，同伙實為遭她當年陷害的前男友大頭，其目的是報復。交易前夕三方因各懷鬼胎爭斗，王總趕到救下莉莉，參與假綁架者皆因貪欲將面臨法律制裁，警示莫因欲望犯錯。
于特島7月22日
安德烈·伯恩森,亞歷山德·霍爾門,布瑞德·福里斯達,艾麗·瑞亞儂·穆勒·奧斯本,蘇陸士·薩達特,馬格努斯·莫恩,張特蘭在2011年的7月21日那天，650個年輕人正在于特島上參加夏令營，他們剛剛得知一個令人震驚的消息，奧斯陸的一座政府大樓被一個全副武裝的右翼激進份子炸毀，接著激進分子就來到了于特島。影片將跟隨一名叫卡佳（Kaja）的小女孩，在聽到了激進分子的第一聲槍響后，令人窒息的72分鐘生存掙扎。影片根據真實事件改編，于特島慘案是自第二次世界大戰以來全球最嚴重的單人犯罪槍擊案。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.