在線播放
劇情簡介
99%的情欲暫無內容1%的愛情,無法自控的四名男女的欲望故事!為了把這部運動電影拍的更深入人心,劇組還專門請了兩個外表清純內心狂熱的島國女生。(藤浦惠)(階戶瑠李)故事暫且不說,僅僅是這兩位島國女生,能在炕上哼哈兩聲,在某種程度上仿佛就已經征服了許多單身少年的那半身。當然,作為正統的日韓合拍作品,今天電影的除了畫面顯得比較清新,劇情及場面同樣是簡單到不行!暫無內容除了一臉清純秀色可餐模樣,島國妹子的臉上還掛著沒有睡醒過的憂傷,人生路上迷茫,幾度彷徨。
同類好片
動物本能
古勒莫·法蘭塞拉,卡拉·彼德森,Gloria Carrá,馬塞洛·索比奧托怨泊
何超儀,高橋和也,白川和子,周俊偉大地1937
保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德爾頓,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I廢世界
俘虜國度
約翰·古德曼,艾什頓·桑德斯,喬納森·梅杰斯,維拉·法米加,凱文·杜恩,詹姆斯·蘭索恩,阿蘭·盧克,瑪德琳·布魯爾,機關槍凱利,凱文·J·奧康納,本·丹尼爾斯,凱特琳·埃瓦爾德,D·B·斯威尼,瑞內·L·莫雷諾,珊農·克奇蘭,琪琪·萊恩,馬克·格拉佩,丹尼·高德林,簡·巴克斯特·米勒,賽勒斯·亞歷山大,伊立沙·弗雷丁,莉茲·麗,巴爾巴拉·伊麗莎白·馬萊斯基,魯斯·帕薩雷拉葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達耶娃導演精選
告別武器
亨利(加里·庫柏 Gary Cooper 飾)是一位熱血沸騰的青年,戰爭爆發了,他自愿前往意大利,成為了一名救護車駕駛員。在意大利,亨利結識了名為凱瑟琳(海倫·海絲 Helen Hayes 飾)的美麗護士,之后,亨利因為受傷被送進了米蘭醫院,在那里,他和凱瑟琳重逢了。住院期間,亨利和凱瑟琳墜入了情網,凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后,亨利回到了戰場,卻發現我軍的士氣大跌,處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵,亨利亦難以幸免,他僥幸逃脫了自己人的槍子,他決定找到凱瑟琳,兩人逃離戰場,去過他們與世無爭的日子。然而,意大利警察的追捕緊隨其后,兩人踏上了逃亡的旅途。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
角頭:斗陣欸
因父親挑起新舊敵對幫派的激烈地盤斗爭,身為兒子的他則試圖掌控腥風血雨的臺灣黑社會,在兄弟情與自身處境的夾縫中被迫前進。外部敵對勢力步步進逼,內部也因誤會與壓力而開始產生裂縫,使得情義不再是理所當然的依靠……