妻子的校友2
女主跟丈夫婚后,發現丈夫的能力越來越弱,越來越無法滿足自己,便向姐姐吐槽,姐姐不以為意,并稱這為正常現象,女主向姐姐請教解決辦法,原來姐姐背著自己的丈夫,在外面有不少情夫,還推薦給女主認識,女主好奇的結識了一個能力強勢的男人,令人驚訝的是,這個男人竟然是自己曾經同校的校友....
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劇情簡介
女主跟丈夫婚后,發現丈夫的能力越來越弱,越來越無法滿足自己,便向姐姐吐槽,姐姐不以為意,并稱這為正常現象,女主向姐姐請教解決辦法,原來姐姐背著自己的丈夫,在外面有不少情夫,還推薦給女主認識,女主好奇的結識了一個能力強勢的男人,令人驚訝的是,這個男人竟然是自己曾經同校的校友....
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
兇間疑影
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多諾萬的腦袋
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