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劇情提要
今や女優、タレントとして大活躍中の飯島直子の女優デビュー作となった貴重なお寶サスペンスドラマ。大富豪として有名な園田家を突如として襲った謎の事件。その後、家に殘された美しい3姉妹の周囲で執と奇怪な出來事が発生する。
暗夜精選
妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢露神秘科學影院3000
友情的游戲
貝拉·索恩至尊馬蒂
提莫西·查拉梅,格溫妮斯·帕特洛,敖德薩·阿德隆,凱文·奧利里,泰勒·奧康馬,桑德拉·伯恩哈德,阿貝爾·費拉拉,喬什·伯恩,亞歷山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,蓋佐·羅赫里格,法蘭·德瑞雪,弗朗西斯·杜莫里耶,凱文·埃克爾斯頓,約里斯·斯圖克,克里斯蒂安·伊格弗丹斯,布萊克·吉奧維蒂,斯賓塞·格蘭斯,托雷·希爾喋血密令
李琦,馬心怡,徐箭,孫學增,來鈺巨人的告別
奧斯卡·馬丁內茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika亞當·桑德勒:愛你
丹·布拉,Jonathan Loughran,亞當·桑德勒,杰姬·桑德勒,羅伯·施奈德同系列推薦
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone眠山怪影
Herbert M. Dawley甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀宇電英雄三元里
嚴屹寬,劉秋實,孫昊,聞雨,王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛多,馬鐵摩賞金獵豬
安迪·瑟金斯,杰森·蘇戴奇斯,雷恩·威爾森,洛琳·阿什伯恩,魯保羅,謝爾碧·楊,Flavor Flav,莉莉·辛格,查爾斯·阿德勒,阿妮塔,漢納·蓋茨比亂馬12:決戰桃源鄉!奪回新娘子!!
山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮幕后花絮
當你約會的時候
克和茱莉婭因為攝影在網上相識,兩人分享彼此的攝影作品,并且嘗試在網上交往。在朋友的慫恿下,尼克主動約茱莉婭見面,試圖開始真正交往,不料見面后才發現,網上的茱莉婭竟然是自己的前妻,因為事業觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會,但都因為性格原因導致約會無疾而終,實則是因為彼此對對方還都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會,朋友們都認為他們非常般配,他們也有意重新開始。在這關鍵時刻,茱莉婭的前男友出現,試圖挽回茱莉婭,而尼克的前女友也又一次聯系了尼克,他們礙于面子,將復合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時間后發現還是忘不了對方,在情人節的晚上,他們終于放下心結,重新走到一起。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster