欲望之年輕的助手

大明嬪妃之爭寵

宋洋,何杜娟,關慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍

　　大婚之夜，太子獨自喝醉，留下姚芊芊盛裝獨坐到天亮。太子本宣蘭心侍寢，卻傳來畫室失火的消息，太子走后，蘭心因為擔心張清遠也尾隨而去，卻被張清遠告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯誤時間，致使蘭心在雪中凍了一夜，被太子發現救回。　　姚芊芊跟鄭貴妃抱怨遭冷落，正逢三皇子前來，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時間宣布自己有孕?！　〗鸨态幰虮灰奋氛茡澏c蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因為想爭寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫醫治，原來，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來，一切都是姚芊芊與金碧瑤的詭計。而金碧瑤也因為太子中毒認清了姚芊芊的真面目。　　鄭貴妃拷打蘭心，逼她簽寫敗壞太子聲譽的供詞，蘭心誓死不從。關鍵時刻，太子及時趕到并帶走蘭心，卻在路上暈倒，蘭心感動不已。　　姚芊芊收買了丫鬟向張清遠報信，讓他以為蘭心被太子害死，并用調虎離山計調離了蘭心。蘭心在路上感覺不對，匆匆往回趕，正好看見張清遠持刀向太子刺去。蘭心以身相代，并控制不住問張清遠為何不守信約，張清遠卻因為刺中蘭心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來，又為何獨自在雪中待了一夜?！　√m心幸好沒有被刺中要害，活了下來。太子正想審訊張清遠，卻已發現張清遠吊死在橫梁上，并留下了給蘭心的生死訣別書。

殺戮南瓜怪

佩頓·伊麗莎白·李,柯瑞·福格爾瑪尼斯,懷亞特·林德納,卡拉·吉門內斯,Sasha Mason,喬納·利斯,DJ·考爾斯,Marc Sully Saint-Fleur

　　萬圣節之夜，一位少女劇作家、她的弟弟和一群幸存者被困在一個可怕的村莊里：一群有著生命的南瓜開始攻擊人類，而這件事似乎在這個村莊的歷史上發生過。

炸掉銀行經理

路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費爾南多·卡約,里卡多·德巴雷羅

　　卡洛斯在一家銀行支行當總經理，最近他正和妻子瑪爾塔鬧別扭。風和日麗的一天，他送兩個孩子馬科斯和莎拉上學，卻發生了改變他人生命運的事。嶄新的汽車上莫名其妙地出現一部手機，一個陌生男人打來電話，號稱卡洛斯的車里被安置了一顆炸彈。而恰在此時，一個神秘的黑衣摩的男尾隨而至。這是一個惡作劇，還是真實的綁架勒索？事情的緣起何故，卡洛斯一家命運又該如何？這部西班牙電影將為你呈現一百分鐘的驚心動魄……

富貴逼人來

彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特

 暢斯（彼得·塞勒斯 Peter Sellers飾），一位頭腦簡單的老園丁。他一直生活在華盛頓的一間老房子里，從未離開過。他全部的生活就是看電視，看電視成了他唯一與外界溝通的途徑。在長期的累積之下，他的整個思想行為和世界觀已完全電視化。然而他的雇主突然去世，暢斯一下子變得無處可去，孤苦無依。面對陌生而又新鮮的世界，他頓時亂了方寸。在一場突如其來的車禍后，暢斯居然成為富有的華盛頓商人伊芙（雪莉·麥克雷恩 Shirley MacLaine飾）和本（茂文·道格拉斯 Melvyn Douglas飾）的座上賓。他憑借在電視上學來的“廣博”知識，技驚四座，甚至當上了政客們倚重的智囊。本部享譽70年代末期影壇的政治諷刺喜劇《富貴逼人來》，是笑匠彼得·塞勒斯的最后遺作。本片榮獲1980年第52屆奧斯卡金像獎最佳男配角并獲得最佳男主角提名，入圍1980年第33屆戛納電影節主競賽單元-金棕櫚獎。

當你約會的時候

　　克和茱莉婭因為攝影在網上相識，兩人分享彼此的攝影作品，并且嘗試在網上交往。在朋友的慫恿下，尼克主動約茱莉婭見面，試圖開始真正交往，不料見面后才發現，網上的茱莉婭竟然是自己的前妻，因為事業觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會，但都因為性格原因導致約會無疾而終，實則是因為彼此對對方還都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會，朋友們都認為他們非常般配，他們也有意重新開始。在這關鍵時刻，茱莉婭的前男友出現，試圖挽回茱莉婭，而尼克的前女友也又一次聯系了尼克，他們礙于面子，將復合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時間后發現還是忘不了對方，在情人節的晚上，他們終于放下心結，重新走到一起。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

詛咒之刃

　　A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one