愛情插班生

? 7.3 播放：83萬 2026-04-24

School's暫無內容out...But暫無內容Bobby's暫無內容education暫無內容has暫無內容just暫無內容begun.暫無內容Bobby暫無內容has暫無內容had暫無內容trouble暫無內容with暫無內容French暫無內容at暫無內容school暫無內容and暫無內容so暫無內容his暫無內容rich暫無內容parents暫無內容hire暫無內容a暫無內容winsome暫無內容30-year-old暫無內容tutor暫無內容to暫無內容help暫無內容him暫無內容with暫無內容the暫無內容first暫無內容subject.暫無內容The暫無內容father暫無內容is暫無內容not暫無內容exactly暫無內容subtle暫無內容about暫無內容his暫無內容interest暫無內容in暫無內容the暫無內容tutor,暫無內容but暫無內容the暫無內容woman暫無內容prefers暫無內容his暫無內容much暫無內容more暫無內容sensitive暫無內容son.

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? 播放 愛情插班生

劇情提要

School's暫無內容out...But暫無內容Bobby's暫無內容education暫無內容has暫無內容just暫無內容begun.暫無內容Bobby暫無內容has暫無內容had暫無內容trouble暫無內容with暫無內容French暫無內容at暫無內容school暫無內容and暫無內容so暫無內容his暫無內容rich暫無內容parents暫無內容hire暫無內容a暫無內容winsome暫無內容30-year-old暫無內容tutor暫無內容to暫無內容help暫無內容him暫無內容with暫無內容the暫無內容first暫無內容subject.暫無內容The暫無內容father暫無內容is暫無內容not暫無內容exactly暫無內容subtle暫無內容about暫無內容his暫無內容interest暫無內容in暫無內容the暫無內容tutor,暫無內容but暫無內容the暫無內容woman暫無內容prefers暫無內容his暫無內容much暫無內容more暫無內容sensitive暫無內容son.

幕后花絮

月影殺痕

　　1988 年，心懷偵探夢想的費城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環殺手，此人每隔 9 年就神秘地出現一次。但是當殺手的罪行開始違背所有的科學解釋時，洛克對真相的癡迷可能會毀掉他的事業、家庭，甚至是他的心智?！对掠皻⒑邸肥且徊炕旌项}材的心理驚悚片，探討了時間的力量，以及時間的流逝如何使我們相聚又分開。該片由吉姆·米可執導，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster