八月來(lái)風(fēng)
《霓虹牛》導(dǎo)演加布里埃爾·馬斯卡羅的劇情長(zhǎng)片處女作,提名第67屆洛迦諾國(guó)際電影節(jié)(2014)金豹獎(jiǎng)。Shirley離開(kāi)大城市,回到了海濱小鎮(zhèn)照顧她的奶奶。在那里,她是當(dāng)?shù)匾粋€(gè)椰子種植園拖拉機(jī)駕駛員。她喜歡搖滾樂(lè),夢(mèng)想著成為一個(gè)紋身藝術(shù)家,她感覺(jué)自己被這個(gè)小小的沿海村莊束縛著。她向Jeison吐露了心聲,Jeison也在椰子農(nóng)場(chǎng)工作,在工作之余還會(huì)潛水抓龍蝦和章魚。八月通常是當(dāng)?shù)責(zé)釒эL(fēng)暴沖破海岸線的季節(jié),一個(gè)風(fēng)能專家來(lái)到村里,研究熱帶風(fēng)暴。在一次漲潮和狂風(fēng)大作之時(shí),一個(gè)驚喜的發(fā)現(xiàn)帶著Shirley和Jeison開(kāi)始一段直面生與死、失與得、風(fēng)與海的神奇旅程。
播放通道
詳細(xì)簡(jiǎn)介
同類推薦
急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶故事開(kāi)始于明朝,鳳三(元華 飾)心腸歹毒,無(wú)惡不作,身為錦衣衛(wèi),同時(shí)又是鳳三的師弟,方守正(元彪 飾)發(fā)誓要將鳳三繩之于法。然而,鳳三此人詭計(jì)多端,甚至想要偷取能夠扭轉(zhuǎn)時(shí)空的黑玉佛,借此逃脫法網(wǎng),幾番爭(zhēng)斗之后,兩人雙雙跌落山崖。 時(shí)光荏苒,轉(zhuǎn)眼已是現(xiàn)代,考古隊(duì)在雪地中挖掘出了鳳三和方守正被冰封住的尸體,將兩人運(yùn)往美國(guó)研究,然而,途中一場(chǎng)意外卻令兩人死而復(fù)生。方守正于機(jī)緣巧合之下遇見(jiàn)了名為阿玉(張曼玉 飾)的不良少女,陰差陽(yáng)錯(cuò)的成為了她的保鏢,而鳳三不改奸邪本性,加入了黑社會(huì),繼續(xù)為非作歹。當(dāng)方守正得知鳳三依舊作惡多端后,他決定繼續(xù)自己未完成的使命。
黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck大衛(wèi)·斯雷德(《漢尼拔》)將為米高梅執(zhí)導(dǎo)新片[黑暗收割](Dark Harvest,暫譯)。影片根據(jù)同名恐怖小說(shuō)改編,邁克爾·吉里奧([龍與地下城])撰寫劇本。故事發(fā)生在1963年的萬(wàn)圣節(jié),圍繞著一個(gè)叫“十月男孩”展開(kāi)。每年萬(wàn)圣節(jié),他都會(huì)手拿屠刀,從玉米地里爬起來(lái),走向小鎮(zhèn)。無(wú)論是獵人還是獵物,“十月男孩”都是一年一度生死儀式的獎(jiǎng)品。皮特知道,殺死“十月男孩”是他逃離這個(gè)窮途末路的小鎮(zhèn)的唯一機(jī)會(huì)。他愿意冒著生命危險(xiǎn)去贏得勝利。但在夜晚結(jié)束之前,皮特將發(fā)現(xiàn)“十月男孩”可怕的真正秘密。
挑戰(zhàn)未來(lái)2:星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亞歷克斯失敗后過(guò)去了73年,人類也失去了半機(jī)械人的戰(zhàn)爭(zhēng)。從那時(shí)起,人類就被奴役了。科學(xué)家們已經(jīng)開(kāi)發(fā)出一種新的DNA毒株,這可能標(biāo)志著Cyborgs的終結(jié),并將其注射到志愿者身上。當(dāng)生化機(jī)器人了解到這個(gè)女人和嬰兒時(shí),他們都要終止。為了逃跑,她帶著一艘偷來(lái)的半機(jī)械人的船,在1980年回到了東非,在那里,母親被殺,但孩子得救了。這需要20年的時(shí)間,但半人半人的獵人星云最終找到了這個(gè)名叫亞歷克斯的女孩,并及時(shí)趕回來(lái)終結(jié)她的生命。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾故事發(fā)生在塞內(nèi)加爾的大型建筑工地附近,晚上工人們與一名男子發(fā)生了沖突,男子的哥哥在工地因工傷喪生。