愛的旅館
中年男子村木哲郎(寺田農(nóng) 飾)所有的出版社因經(jīng)營不善倒閉,拖欠黑社會的高利貸無法償還,妻子良子(志水季里子 飾)因此遭受黑社會的強暴。自暴自棄的村木決定自殺,在此之前他找來年輕的應(yīng)召女郎土屋名美(速水典子 飾),對其進(jìn)行粗暴的羞辱。村木原打算強迫名美一同赴死,但在最后時刻打消了念頭。 兩年后,村木當(dāng)上出租車司機,辛苦打工還債,與良子的關(guān)系則若即若離。某晚,名美乘坐村木的出租車,并企圖在海邊自殺,最終為村木救下。此時的名美正因和上司太田(益富信孝 飾)的不倫之戀而煩惱,村木的出現(xiàn)再一次改變了她的生活
在線看
同款熱播
追遠(yuǎn)尋根
Clare Monnelly,布里·尼·內(nèi)奇廷,亞歷山德拉·比斯特日茨卡婭,Clare Barrett,夏洛特·布拉德利,塔拉·布雷思納克,格蕾絲·科倫德,Peadar Cox,Jim Cunningham,多蘿西·達(dá)菲,Marcus Lamb,邁克爾·奧·萊恩,Oisín ó Maoileoin,Liv O'Donoghue,奧爾加·韋爾利被譽為“史上第一部愛爾蘭語恐怖片”,《弗雷瓦卡》圍繞一位名叫休的護(hù)理工作者展開,她被個人悲劇所困擾。休被派往一個偏遠(yuǎn)村莊照顧一位患有廣場恐懼癥的女性,她既害怕鄰居,也害怕納希德——她相信幾十年前被這些神秘民間實體綁架。隨著兩人建立起深厚的聯(lián)系,休逐漸被這位老婦人的偏執(zhí)、儀式和迷信所吞噬,最終面對她自己的過去所帶來的恐怖。
來聊聊須緒美吧
長澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠(yuǎn)藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪三谷幸喜自編自導(dǎo)。大富豪的妻子須緒美突然失蹤,在得知她失蹤后,在丈夫居住的豪宅集結(jié)的是愛過她的5個男人。但是他們所說的須緒美,無論是外表還是性格,都像是換了一個人。那么,到底須緒美的真面目是什么呢?
布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden本片改編自民間傳說,幾個世紀(jì)以來,在不同的文化背景下,父母都會警告他們的孩子要小心傳說中的Bagman。Bagman會把無辜的孩子抓走,塞進(jìn)那骯臟腐爛的袋子里,再也沒法回到父母身邊。Patrick McKee小時候曾逃過此劫,但這給他的生活留下了永久的創(chuàng)傷。現(xiàn)在,Bagman又回來了,威脅著他妻子Karina和兒子Jake的安全。
喪尸出籠:血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然復(fù)活,變成喪尸開始瘋狂撕咬活人,被咬后的活人紛紛變成喪尸,一場末日喪尸之戰(zhàn)自此開始...
素媛
薛景求,嚴(yán)志媛,李來,金海淑,金相鎬,羅美蘭,楊真誠,權(quán)泰元她(李來 飾)是一個美麗平凡的小女孩,和爸爸媽媽生活在位于街角的家中。家里經(jīng)營著以她的名字素媛命名的雜貨店,母親(嚴(yán)智媛 飾)作為老板娘日夜忙碌不得閑暇,父親則在工廠干著繁重的工作。在那個飄雨的早上,素媛打著雨傘獨自上學(xué)。在離學(xué)校近在咫尺的地方,她遭遇一個相貌猥瑣、酒氣沖天的大叔,由此開啟了她的悲劇之旅。柔嫩的小花遭到暴風(fēng)雨無情摧殘,受傷的豈止枝枝葉葉,更是那迎著陽光無憂成長的心。無良媒體鋪天蓋地大肆渲染,作為受害者的素媛一家仿佛成了周身污穢的恥辱之人,被四周詫異好奇的目光所包圍。媽媽悲痛欲絕,幾近崩潰。爸爸全力保護(hù)女兒,但受傷的小天使卻拒絕爸爸的靠近。問兇之路伴隨著天使的治愈旅程,美麗的女孩可會再露燦爛笑容?
那個人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.