偷窺狂人
The暫無內(nèi)容Voyeur一個英俊的威尼斯大學(xué)教授攝影課，與父親同住。父親也是退休教授（真想象不出，這爺倆能教出什么好學(xué)生），現(xiàn)癱瘓?jiān)诖玻赣H早已去世。所以父親由一sexy女護(hù)士照顧。暫無內(nèi)容 豆豆小時候，母親常穿著薄如蟬羽的睡衣在祂面前走動，更有一次曾偷窺到父母激情做噯，這導(dǎo)致奴奴有嚴(yán)峻暫無內(nèi)容的戀母情結(jié)和偷窺嗜好 豆豆已經(jīng)結(jié)婚，妻子叫蘇菲亞，一個長相極似豆豆母親的姑娘（一個人演的，能不像嗎）。但婚后蘇菲亞卻果斷暫無內(nèi)容不住豆豆家里，而豆豆也不情愿拋棄生病臥床的父親兩人只好分居了，感情也出現(xiàn)了裂痕。 一天，正在查尋資料的豆豆聽到父親房里有動靜，透過氣窗發(fā)覺女護(hù)士正在賣弄風(fēng)騷，與父親調(diào)情，豆豆迷戀地偷窺著。。。 幾天后，一直引誘豆豆未遂的女護(hù)士告訴奴奴一個奇異：在蘇菲亞還未出走的時候，晚上曾經(jīng)看到一個女郎走進(jìn)祂父親的臥房那女郎從背影看特像蘇菲亞。。。 按照丁胖子的套路，豆豆當(dāng)然是到海灘上去解決思想問題海灘上都是穿著清涼的靚女衰哥，正一對一對地親熱著。看了一會，在豆豆眼里，那些女郎都變成了蘇菲亞于是祂又想明白了：自己深深噯著蘇菲亞。 豆豆尋到蘇菲亞的住處，表白對她的噯戀思念之情并想破鏡重圓。蘇菲亞袒露了隱情：結(jié)婚當(dāng)天，就被豆豆的父親強(qiáng)迫了。 令人費(fèi)解的是在兩人歡娛后仍然暫無內(nèi)容向老宅走去與豆豆父親同住
即刻觀影
劇情賞析
編輯推薦
恐影檔案
Thomas Dekker,Robert Englund,Fiona DourifA doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
守骨異獸
約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金一顆隕石撞擊蘇格蘭偏遠(yuǎn)森林，意外喚醒了自尼安德特人時代就蟄伏地底、以骨骼為食的遠(yuǎn)古克蘇魯式怪獸 “守骨異獸”。1976 年，調(diào)查者詹姆斯?惠勒深入洞穴后離奇失蹤，僅留下一張怪獸剪影的 8mm 膠片。數(shù)十年后，他的孫女奧利維亞為尋找同樣失蹤的母親，帶領(lǐng)一群好友與怪獸專家哈里斯教授，深入洞穴系統(tǒng)調(diào)查連環(huán)失蹤案，卻不知自己正被這只地底生物步步獵殺，陷入絕境求生的獵殺游戲。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個困擾的城市傳說的現(xiàn)實(shí)面對面。
亡命競速
Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell艾斯與他手下的一隊(duì)精英街頭賽車手，在一個神秘組織威脅到他身邊之人時，被迫卷入一項(xiàng)高籌碼任務(wù)。在“四朋友”事件之后，他們發(fā)現(xiàn)自己竟在為惡名昭彰的“刺客教會”效力，并被指派去完成一項(xiàng)不可能的工作。然而，當(dāng)他們不斷突破極限時，卻揭示了一個令人不寒而栗的真相——失敗本就是計(jì)劃的一部分。在這場腎上腺素飆升的驚悚之旅中，背叛、速度與生存激烈碰撞，真正的競賽不僅為了勝利，更是為了活命。
孤獨(dú)癥候群
Pierre Le Baleur,Eddy Frogeais,Diane MartinAn epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.