暴風欲女

6.4 播放:12萬 2026-04-23

位于九州的一個海港小鎮,狂孽的臺風時常光顧,小鎮有如顛簸于驚濤駭浪中的扁舟,驚恐而孤獨。冷漠孤寂的美麗女子泠(穗花暫無內容飾)獨自經營者葉月葬儀社,丈夫因故身亡,她的心也有如消亡一般。只是,雖然她言說早已看透生死,但在暴風雨之夜依然會感到恐慌,在原欲面前依然會躁動難耐。她是男人渴望把玩的尤物,是女人嚴重賣弄風騷的妖孽,是一個誰人也無法參透的存在。暫無內容沒有工作的青年大吉(內田亮介暫無內容飾)根據招聘啟事來到了葉月葬儀社,在與泠合作的過程中,他漸漸為對方所吸引,也終于觸摸到泠那幾無他人觸摸過的脆弱易傷的心。靜默的戀情在臺風中慢慢化開……

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賈斯汀·哈特雷,阿莉爾·凱貝爾,詹姆斯·凱森·李,阿蘭·皮特魯塞澤維斯基,馬克·瓦雷,杰克·麥克勞克林,塔克·斯莫爾伍德,艾登·洛夫坎普,克里斯爾·斯塔休斯,Ethan Cohn,卡爾·T·懷特,Julia Parker,托馬斯·亨尼賽

  當一個男人愛上一個訂婚的女人時,他決定設計一個計劃-回到過去在她遇見她未來丈夫之前追到她,透過他的才智與金錢,配合科學家教授多年來的研究,他將回到過去搶得先機,一旦回到過去,他會發現愛總是在他意想不到的地方…

無約而至

李京沐,李若寧,張子棟,于月仙,秦衛東,王雙寶

影片通過追逐與命案,講述了一段真實感人的愛情故事。核心不是命案,不是拐賣兒童案,是溫暖與希望。無論生活有多悲催,只要相信愛擁有愛,就會無所畏懼,充滿希望。善惡對錯不應是非黑即白,人就如同兩棲動物,始終游離在善惡之間的一念之差,貴在如何選擇。

旺姆的夏天

旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪

該片根據編劇的童年經歷進行創作。影片講述女主旺姆在丈夫離世之后,秉持著傳統,為了丈夫來世不需背負生前的債務,而接手丈夫生前巨額的債務替他還債,從而一步一步被生活逼到絕境的故事。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

地心記

彼得·庫欣,道格·麥克洛,卡羅琳·莫羅,Cy Grant,Godfrey James,基思·巴倫,Robert Gillespie

  為了找尋失蹤的叔叔,年輕人自己設計了地心探險船,卻被人剽竊,結果只能接受事實,因為商人答應讓他帶隊去尋找失落的文明。 然而商人手里有一塊神秘碎片,如果他找到其余碎片就可以擁有強大的力量。另一部分傳說在地心,在那里也有一個世界,于是他贊助一些科學家去地心做科學研究,其實是為了實現他的野心,科學家們乘坐年輕人發明的有大鉆頭的飛船到了地心,在那里他們發現有原始人,通過他們的壁畫知道他們的祖先是從地上順著火山口進到地心的,他們還結交了白色的人形怪物并成為朋友。然而在這里還有一個身上插了很多導管,管子里流淌著綠色液體的邪惡統治者,整個地心世界由他控制....

與神對談

大衛·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith

  雖然是三次面談之旅,但我覺得三次否認叫Peter更合適;08,20-08,22FathomEvents,電影大概只有90分鐘,后附30分鐘interview分享一些信仰心得,恍然間有點以為看到了TheSunsetLimited(2011)的感覺,電影不合情理得把神實化(降臨),但又很合乎情理的在分享Paul的見證,所以最后interview有個問題是為何上帝沒有啟示我,這個問題答案就是:先求他的國和他的義,然后你才能見證他的神跡。