火宅之人
因各種煩心事而焦慮不安，就如同著火的房子一般，這樣的人稱作;火宅之人。 前妻去世后，作家桂一雄（緒形拳 飾）娶順子（いしだあゆみ 飾）為妻，夫妻倆連同五個孩子的生活倒也和順。然一場災難不幸降臨，次子次郎（一柳信之 飾）罹患腦炎，生活不能自理。深受打擊的順子從此迷信宗教，家庭關系日漸緊張。在此期間，一雄結識同樣來自九州的年輕女演員矢島惠子（原田美枝子 飾），并邀請惠子和他一同外出參加太宰治文學碑的剪彩儀式?；氐郊抑泻?，一雄坦白了這段不倫之戀，順子憤而離家出走，一雄則干脆搬到賓館，與惠子沉浸在無盡的歡愉之中 本片改編自檀一雄同名小說，并榮獲日本電影學院獎最佳電影、最佳導演、最佳男主角、最佳女主角等7項大獎。
即刻觀影
劇情賞析
編輯推薦
愛情鳥的自救
庫梅爾·南賈尼,伊薩·雷,安娜·坎普,保羅·斯帕克斯,凱爾·柏海莫,喬·克里斯特,布萊恩·克恩,莫西斯·斯托姆,賈倫·米切爾,T·C·馬特恩,格拉倫·布萊恩特·班克斯,尼古拉斯·帕森斯,安東尼·邁克爾·弗雷德里克,韋米蒂婭·埃拉恩,萊斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond一對情侶（伊薩·雷和庫梅爾·南賈尼飾）正在互訴衷腸，結果被無意中卷入了一場謀殺迷局。洗刷罪名的過程極端又滑稽，他們必須挺過這一夜，以保住兩人的戀情和性命。
記憶裂痕：血親幻影
里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring國際知名微縮畫家Alif遭遇嚴重車禍后失憶，一名老婦人突然現身，自稱是他失散18年的母親。Alif在拼湊破碎記憶的過程中，逐漸發現母親的身份疑點重重，同時揭開了自己童年、家族與馬林?昆當傳說背后的黑暗真相。他必須在身份崩塌與創傷反噬中，直面自己的過去，終結這場由傳說編織的懸疑迷局。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬧鬼校園
中山優馬,島崎遙香,大野拓朗,高橋瑪莉潤,安井謙太郎,大和田伸也自幼能夠看到恐怖幽靈的八神森司（中山優馬 飾），在高中時邂逅了被神秘鬼影糾纏的后輩小歷（島崎遙香 飾）。他雖然喜歡對方，卻由于自身膽怯的性格始終無法表白。第一年沒有考上大學，經過一番努力森司如愿進入期望的高校，并且和小歷重逢。在此期間，他聽說小歷和童年好友加入了某個超自然研究會，聯想到高中的事件，森司無法對小歷放任不管，于是也硬著頭皮加入進去。這群個性滿滿的年輕人每天追蹤各類神秘事件，不久后校園內開始出現離奇現象，而小歷也成為惡靈狙擊的目標…… 本片根據第19屆日本恐怖小說大獎讀者獎獲得者櫛木理宇的同名作品改編。
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設定在16世紀的英國，海盜首領莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領導，繼續在海上進行搶劫商船的行為。為了消滅海盜，沃林率領船隊出海，在航行途中偶然與里奇的“黑天鵝號”，并和其他兩艘船發生了遭遇戰。面臨險境，沃林不得不機智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰斗，里奇最終受到了懲罰，他的“黑天鵝號”徹底被摧毀。與此同時，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉變為敬佩，最終產生了愛慕之情，展開了一場曲折而離奇的愛情故事。
看護中
李裕英,芮秀貞,廉惠蘭,尹敬浩晴仁（李裕英飾）的母親十年前成為了植物人，長時間獨自照顧、看護母親讓她身心俱疲。代號為“看護中”（李裕英飾）的護工機器人不僅幫助晴仁照顧母親，也成為了悉心照料自己的好幫手。然而，看似只聽人類指揮的機器人卻產生了自己的苦惱，它認為：“只有一人死去，另一人才能活”…… 《看護中》曾是科幻系列電視劇《SF8》中的一部，在播映后獲得空前關注，于是決定正式在院線上映。