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神探忠犬2：狼之城
艾倫·艾克哈特,坦婭·范·格拉恩,卡爾·桑寧,多米尼克·馬厄,杰西卡·雷·斯坦利,莫特西·泰卡泰卡In “Muzzle: City of Wolves,” Jake Rosser (Eckhart), haunted by PTSD from his days as a K-9 officer, endeavors to lead a peaceful life with his family and retired K-9 companion, Socks. But the tranquility quickly dissolves when a ruthless gang targets them in a brutal attack. Determined to protect his loved ones, Jake and his new K-9 partner Argos delve into a violent underbelly of crime where Jake confronts corrupt officials, uncovers a perilous drug trafficking ring and battles his own inner demons.
鬼租客
納查潘·帕拉瑪查倫羅,Aew Aumpa Phusit,波似·坡尼皮帕特·庫尼嗦,坦恩.基緹男.坎蒙功空理法密昕,馬克·納克塔赫·坎那特桑安,Boom Raweephan Siriwattana一個破產(chǎn)的平面設(shè)計師最終租了一個有著恐怖故事和神秘鄰居的房間。
是的2025
艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha富豪私人派對上，一對男女忘我炒熱氣氛，只要金主敢玩，他們十倍奉還。白天，兩人棲居小公寓照料幼子，她靠教舞維生，他則是潦倒音樂家。然而，手機里傳來的加沙煉獄景象使他們焦慮，周遭人們卻歡慶著血流成河，他們?yōu)榱藴仫?，繼續(xù)出賣靈魂。某夜，他收到酬勞可觀的邀約，卻必須將金主寫下的魔鬼詩篇譜成新國歌。為了五斗米，他決定深入國族的集體創(chuàng)傷，尋找主旋律。
無限密室
克里斯托弗·索倫·凱利,卡桑德拉·克拉克,卡賈爾多·林賽,杰西·D·阿羅弗蘭克被關(guān)在密室里，只有一臺人工智能計算機負責(zé)維持生命，但無論怎樣密室逃脫，只是回到另一個嵌套，隨著時間發(fā)展，出現(xiàn)了新的情況。
大明嬪妃之攻心
宋洋,何杜娟,關(guān)慧卿,陳一諾張清遠死后蘭心終日郁郁寡歡，太子誤以為她還深愛張清遠，嫉妒不已，故意親近其她妃子來刺激和報復(fù)蘭心。蘭心本已對太子暗生情愫，見狀卻只能傷懷。 姚芊芊明白了四面楚歌的危險，為保腹中孩子，她四處籠絡(luò)人心，頗見成效。 王恭妃查出了蘭心和張清遠的私情，盛怒之下將蘭心打入冷宮。太子偷偷潛入冷宮和蘭心相見，兩人終于明白了對方的深情，情動之下有了一夜溫存…… 后來，蘭心被診出懷有身孕，王恭妃卻根本不相信這個孩子是太子的……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster