紅氣球之旅

1.6 播放:11萬 2026-04-22

別名: Le voyage du ballon rouge/ Flight of the Red Balloon / 紅氣球  本片為侯孝賢向法國導演艾爾伯特 bull;拉摩里斯(Albert Lamorisse)拍攝于1956年的短片、在電影史上有重要地位的《紅氣球(Le Ballon Rouge)》的致敬之作,也是他繼《咖啡時光》之后拍攝的第二部致敬外語片。 Suzanne(朱麗葉 bull;比諾什 Juliette Binoche)每日為一出籌備中的改編自中國元曲的木偶劇《求妻煮海人》中角色的聲音演出以及其它瑣事忙得焦頭爛額,加上丈夫Pierre遠在加拿大蒙特利爾寫小說,兒子Simon(Simon Iteanu)成了;累贅 rdquo;,無奈,她請了在巴黎念電影的中國女孩Song(宋芳 Song Fang)照料Simon。與Simon在一起時,Song雙手始終不離攝影機,并向好奇她在拍什么的Simon提及《紅氣球》。 Suzanne的房客Marc(Hippolyte GirardotLouise)仗著是Pierre的朋友,時常做出一些令她憤怒的事,而房租更是借口生活貧困已經好幾個月未交。Suzanne有心接在布魯塞爾的女兒Louise(Louise Margolin)回巴黎念書,決定趕走Marc,卻不得Pierre理解。將一切看在眼里的Song沒有參與類似瑣事,她與Suzanne保持著淡然的朋友關系,多數時間想的只是她的電影:Simon發現一個無人理會的大紅氣球,拉著它穿越巴黎的大街小巷的過程,被她記錄在攝影機里,成了一部電影中的電影。之后,該紅氣球也似有生命般,始終在Simon出現的地點上空飄來蕩去   

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SPEC:翔

戶田惠梨香,加瀨亮,淺野優子,谷村美月,福田沙紀,神木隆之介,龍雷太,椎名桔平,城田優,緒方義博

  經過長時間的休整,治療眼傷的瀨文焚流(加瀨亮 飾)終于隨著當麻(戶田惠梨香 飾)重返闊別已久的未詳,只是此時來自公安部公安五課的市柳(でんでん 飾)和吉川(北村一輝 飾)握得實權,令瀨文等人頗為氣悶。與此同時,在市井算命的覺被一掌握瞬間移動能力的黑衣男子射殺,同時遇害的還有覺的保鏢以及幾名無辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實容顏的少女久遠望(谷村美月 飾)便成為對方追殺的目標。為了保護小望,未詳同仁通力合作,并持續追索黑衣人的真面目以及其背后的陰謀。在此期間,當麻也展示了其不為人知的SPEC。一場斗智斗勇的戰斗拉開了序幕……

鬼店另有主

薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯

  克萊兒(莎拉·派克斯頓 Sara Paxton 飾)和盧克(派特·希利 Pat Healy 飾)是一家有著悠久歷史的洋基旅舍(Yankee Pedlar)的店員,無盡長夜中,兩人插科打諢,海闊天空神聊,順便應付各種各樣的客人。這家旅舍以鬧鬼著稱,傳說曾有個名叫瑪德琳·奧馬利的新娘,在旅舍舉行婚禮的當天上吊自殺。店主害怕影響生意,于是偷偷藏起尸體長達三天時間。事發后店主引起民眾的憤慨,而鬧鬼的傳言也不脛而走。克萊兒與盧克架起攝像機拍攝旅社的超自然畫面,并試圖探訪鬼魂的真面目,這個糟糕的決定將他們帶入萬劫不復……  本片榮獲2011年尖叫電影節(Screamfest)最佳配樂獎、2011年多倫多午夜電影節特別獎觀眾選擇最恐怖影片。

像我這樣的愛情

廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿

我們這樣,是愛嗎?阿妹天生患有腦性麻痹,性格卻異常跳脫樂觀,閑時會約朋友踩板吹水,畫畫作樂,二十多年來一直努力不被身體耽誤。可是過度保護的母親堅決安排她進行子宮切除手術,阿妹努力建立的生活再次失去平衡,她的身體永遠是不由自主的。在朋友推薦下,阿妹找到了一個專為殘疾人士提供性服務的自發組織,并認識了義工Ken。這無私的相遇仿佛撫慰了兩個受傷的靈魂,那日漸累積的情愫沖淡了道德與身體的羈絆,這樣的關系,是愛嗎?   譚惠貞繼《以青春的名義》(第14屆開幕電影)后第二部長片作品,將愛情元素和身障者性權益議題融合,成就一個道德探索與自我尋找的故事。

姽婳

閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國鑫,顏冠英,于飛,于洛熙

  知名畫家創作的最后一幅作品“惡靈畫像”后離奇死亡了,女設計師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強烈的獵奇心理驅使貌美性感的張琳走向了尋找“惡靈畫像”的路上,在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。

茱莉婭的眼睛

貝倫·魯埃達,路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉

  朱莉婭和莎拉(Belen Rueda 分飾)是一對孿生姐妹,這對美麗的姐妹花正當盛年時卻罹患功能退化癥。1年前,莎拉的雙目完全失明,而朱莉婭的視力也在漸漸減退。某個晦暗之夜,莎拉上吊自殺。冥冥中自有感應,朱莉婭心中備感不安,次日她和丈夫艾薩克(Lluis Homar 飾)驅車趕往妹妹的住所,等待他們的恰是難以置信的噩耗。然而種種跡象表明,莎拉似乎并非自殺身亡,她生前的最后一段時光仿佛有一個神秘的男子作陪。  朱莉婭嘗試著追尋這些蛛絲馬跡,她的舉止令艾薩克甚為焦躁不安,而種種恐慌也讓她的視力加速衰退。在黑暗即將降臨的時刻,朱莉婭也隱約感知到一個來去無蹤的男子時刻逡巡在自己的身旁……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.