VN.029-方綺言Ayaka

　　安托萬(wàn)（馬努?派耶 Manu Payet 飾）是一名鼓手，組織了一支樂(lè)隊(duì)，其中的主唱安琪莉可（喬?貝爾 Joe Bel 飾）擁有很高的音樂(lè)天賦，是安托萬(wàn)重點(diǎn)培養(yǎng)的對(duì)象。安托萬(wàn)和妻子愛麗絲（奧黛麗?拉米 Audrey Lamy 飾）之間的關(guān)系一直十分的緊張，最終，兩人的婚姻還是破裂了，如此一來(lái)，安托萬(wàn)必須承擔(dān)照顧兩個(gè)女兒的職責(zé)，這讓并不善于此道的安托萬(wàn)感到十分的頭大。　　樂(lè)隊(duì)正在經(jīng)歷最重要的時(shí)期，在這個(gè)節(jié)骨眼上，安琪莉可愛上了吉他手貝博特（布魯諾?克萊勒豐 Bruno Clairefond 飾），他們的戀情自然讓安托萬(wàn)感到十分的不安，樂(lè)隊(duì)的穩(wěn)定和團(tuán)結(jié)岌岌可危。

　　《尸控網(wǎng)路》寇帝卡拉漢執(zhí)導(dǎo)，2016多倫多暗夜恐怖電影節(jié)丶2016倫敦恐怖電影節(jié)。《變蟲人》《鬼水魔咒》制片團(tuán)隊(duì)挖掘「消失的雙胞胎」現(xiàn)象之謎。面對(duì)自我邪惡雙生的另一面，你該任其操控，或是奮力抵抗？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

一個(gè)三十多歲的男子在大城市謀生，為了走出混亂的生活，無(wú)意識(shí)地想象出一個(gè)幻想與現(xiàn)實(shí)并存的世界。