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我是山姆
西恩·潘,達(dá)科塔·范寧,米歇爾·菲佛,黛安·韋斯特,洛雷塔·迪瓦恩,理查德·希夫,勞拉·鄧恩北區(qū)偵緝隊(duì)
吉爾·勒盧什,卡里姆·萊克路,弗朗索瓦·西維爾,阿黛爾·艾克薩勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,邁克爾·阿比特波,伊迪爾·阿祖格利,Vincent Darmuzey,讓-伊夫·貝特魯,Ka?s Amsis,富埃·納布拉,Abdellah Khoulalene,Ha?dy Khalil,Adel Boutouil,安娜伊斯·法布爾,吉爾伯特·特拉尼亞,安東尼薩桑·杰蘇薩桑星際之旅：木星計(jì)劃
讓-尼古拉·韋羅,朱莉·佩羅特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Rapha?l Lacaille,Hubert Gagnon深入陰宅
辛政順,尹伊娜,申素媛新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內(nèi)藤秀一郎,神威樂(lè)斗寄宿房
桑德琳娜·米歇爾,阿里·伊爾漢姆,Cassandra Lee同類(lèi)推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
縱橫四海
周潤(rùn)發(fā),張國(guó)榮,鐘楚紅,朱江,曾江,胡楓,唐寧,鄧一君砵仔糕（周潤(rùn)發(fā) 飾）、阿占（張國(guó)榮 飾）和紅豆（鐘楚紅 飾）均是孤兒，在養(yǎng)父（曾江 飾）栽培下成為國(guó)際大盜。長(zhǎng)大后成了幫他賺錢(qián)的藝術(shù)品大盜，而三人同時(shí)又認(rèn)了警察（朱江 飾）為干爹。法國(guó)巴黎博物館內(nèi)，名畫(huà)《赫林之女仆》被人盜走。與此同時(shí)，阿海、阿占和紅豆三人以敏捷身手盜得另一幅名畫(huà)，在與法國(guó)大哥交易時(shí)得知名畫(huà)《赫林之女仆》在妖氣重重的古堡內(nèi)，他們?cè)谠才畔鲁晒Φ乇I取此畫(huà)之后，反被集團(tuán)原兇曾江與法國(guó)大哥合謀設(shè)下陷阱，派人追殺滅口。阿海駕車(chē)與殺手快艇相撞……三人失散，數(shù)年后，他們?cè)谙愀壑鼐郏⒑！鞍c瘓”住在朱江家里，阿占和紅豆已經(jīng)結(jié)婚了。曾江又逼他們?nèi)ネ诞?huà)……
鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂(lè)人,古原靖久,虎牙光揮セクシー女優(yōu)の明日花キララが主演するアクション。無(wú)法者の集団「クレイジードッグス」が支配する村に、人間の身體能力を超越した力を発揮する特殊な強(qiáng)化スーツに身を包んだ美女「アイアンガール」が現(xiàn)れる。アイアンガールは失った過(guò)去の記憶を探して旅しており、村の古文書(shū)には「鉄の救世主が村の危機(jī)を救う」と記されていた。アイアンガールを伝説の存在と信じた村人たちは、クレイジードッグスと戦うため立ち上がるが、その戦いの中で意外な真実が明らかになる。音楽を人気バンド「CASCADE」のMASASHIが擔(dān)當(dāng)。
萬(wàn)圣節(jié)傳說(shuō)
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達(dá)納·古爾德1）名叫蒂米的男童怨靈會(huì)在萬(wàn)圣節(jié)當(dāng)晚四處尋找糖果，甚至?xí)榇送陂_(kāi)他人的肚子；2）小男孩被逼迫去一戶(hù)人家惡作劇，結(jié)果被長(zhǎng)著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶(hù)人家正坐在客廳看電影，這時(shí)有個(gè)打扮成巫婆的女孩敲門(mén)，卻用刀捅了男主人，恐怖的萬(wàn)圣節(jié)變成災(zāi)難，當(dāng)然他們正為自己的所作所為付出代價(jià)；4）二男一女不良少年團(tuán)伙在萬(wàn)圣節(jié)之夜四處欺負(fù)他人，這時(shí)打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說(shuō)，那是一個(gè)不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無(wú)法承受喪女之痛的女人在萬(wàn)圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對(duì)面，搬來(lái)幾個(gè)重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無(wú)情的殺人狂追逐，突然怪事發(fā)生；9）兩個(gè)劫匪企圖在萬(wàn)圣節(jié)綁架某富豪的孩子，怎奈請(qǐng)神容易送神難；10）男人好不容易雕了一個(gè)南瓜頭，結(jié)果南瓜頭突然活了過(guò)來(lái)，大鬧街頭。
四川好女人
何葦杭,趙若冰We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.