恐怖丁字褲

我的野蠻同學(xué)

　　在一間教學(xué)素質(zhì)低下的學(xué)校里，有一個(gè)不成文的傳統(tǒng)：學(xué)生們凡是遇到了爭(zhēng)執(zhí)，都不能告訴老師家長(zhǎng)，只能自己用拳頭解決。石頭（謝霆鋒 飾）是最能打的一個(gè)同學(xué)，一次幫助富家子Edward（馮德倫 飾）解圍，彼此成為朋友，二人也因此得罪了學(xué)校里的好戰(zhàn)分子。阿鳳（容祖兒 飾）一直暗戀既帥氣學(xué)習(xí)有出色的Edward，而Edward認(rèn)為學(xué)生最緊要是學(xué)習(xí)，會(huì)考時(shí)間逼近，Edward便義務(wù)幫助石頭與阿鳳補(bǔ)習(xí)。由于家境富有，Edward竟然在考試當(dāng)天被綁架了，石頭決心把他救回……

怪物2023

　　平靜的湖畔小鎮(zhèn)，疼愛兒子的單親媽媽早織（安藤櫻 飾）、為學(xué)生著想的爽直老師保利 （永山瑛太 飾）以及天真爛漫的孩子們本過著安穩(wěn)的生活，卻因?yàn)橐淮涡@沖突，發(fā)酵釀成軒然大波，惹起社會(huì)與媒體的關(guān)注。當(dāng)事態(tài)越見嚴(yán)重，竟在一個(gè)暴風(fēng)雨的清晨，兩個(gè)孩子雙雙失去了蹤影……

遇見世界

27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》，卻始終無法接納真實(shí)的自己。面對(duì)朋友們紛紛步入婚姻與家庭，她感到焦慮與孤獨(dú)，嘗試通過相親改變現(xiàn)狀，卻屢遭不順，醉倒在歌舞伎町街頭。此時(shí)，她被陪酒女萊伊救起，兩人由此展開一段微妙的關(guān)系。隨后，由嘉里又結(jié)識(shí)了已婚男公關(guān)朝日，三人各自背負(fù)著不同的生活壓力，卻在彼此陪伴中逐漸找到歸屬與勇氣。                                                                      　　影片改編自金原瞳撰寫的同名小說。

二十五世紀(jì)宇宙戰(zhàn)爭(zhēng)

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

臨租家庭

　　本片講述了一位在東京落魄的美國演員的故事。他受雇于一家日本家庭租賃公司，充當(dāng)門面上的“美籍演員”，由此通過扮演他人生活中的各種角色，踏上了一段意想不到的自我發(fā)現(xiàn)之旅。

伊曼紐爾的真相

　　片中卡雅·斯考達(dá)里奧飾演伊曼紐爾，她迷上了長(zhǎng)得酷像她死去母親的新鄰居(杰西卡·貝爾飾）。為了照顧她新生的孩子，伊曼紐爾陷入了一個(gè)虛幻易碎的世界，并成為了那里的守門人…