我要怎么感動你

2.1 播放:94萬 更新:2026-04-27
主演:崔雄 洪秀兒 

又名: 感動注意警報 / 看我怎么感動你

播放通道

詳細簡介

又名: 感動注意警報 / 看我怎么感動你

同類推薦

親陌公園

路易斯·布蘭多尼,愛德華多·布蘭科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón

...

SPEC:翔

戶田惠梨香,加瀨亮,淺野優子,谷村美月,福田沙紀,神木隆之介,龍雷太,椎名桔平,城田優,緒方義博

  經過長時間的休整,治療眼傷的瀨文焚流(加瀨亮 飾)終于隨著當麻(戶田惠梨香 飾)重返闊別已久的未詳,只是此時來自公安部公安五課的市柳(でんでん 飾)和吉川(北村一輝 飾)握得實權,令瀨文等人頗為氣悶。與此同時,在市井算命的覺被一掌握瞬間移動能力的黑衣男子射殺,同時遇害的還有覺的保鏢以及幾名無辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實容顏的少女久遠望(谷村美月 飾)便成為對方追殺的目標。為了保護小望,未詳同仁通力合作,并持續追索黑衣人的真面目以及其背后的陰謀。在此期間,當麻也展示了其不為人知的SPEC。一場斗智斗勇的戰斗拉開了序幕……

愛情背叛

莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼

一場車禍奪走了萊利的生命,她近乎完美的生活突然中斷,留下一個沒有母親的家庭。隨著調查的開始,萊利的妹妹凱莉發現這場車禍可能不是她妹妹死亡的真正原因,案件發生了奇怪的轉折。

敵對維度

Stephen Beavis,Cedric Gall,Graham Hughes,Paddy Kondracki,Annabel Logan,Lucy the Dog,Josie Rogers,Andy Stewart,Joma West

  講述了兩位紀錄片制作人決定調查一位涂鴉藝術家的失蹤事件。隨著調查的深入,這兩位制作人遭遇到了一扇詭異的憑空出現的木門,這扇門引領他們穿梭于不同的空間,同時開啟了一段黑暗的噩夢之旅。本來只是調查失蹤事件的兩人很快便意識到,自己陷進了超乎想象的可怕旋渦之中...

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.