印象雷諾瓦

★ 5.0 播放：72萬 更新：2026-04-26

1915年，年邁的法國印象派大師雷諾瓦遭逢愛妻逝世、飽受關節炎之苦，他的兒子尚雷諾（日后成為法國大導演）更在服役中受傷，讓他身心飽受折磨。當年輕貌美的模特兒安蝶降臨到雷諾瓦的生活后，讓他綻放前所未有的創作能量。 然而回到蔚藍海岸休養的尚雷諾，不顧雷諾瓦的反對愛上安蝶，父子關系一觸即發！面對無止無盡的苦痛折磨，雷諾瓦繼續坐在特制的輪椅上，將變形的手用繃帶纏上畫筆，把苦澀轉化成繽紛愉悅的色彩，為世人留下一幅幅永不磨滅的動人光影。 　　

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劇情簡介

1915年，年邁的法國印象派大師雷諾瓦遭逢愛妻逝世、飽受關節炎之苦，他的兒子尚雷諾（日后成為法國大導演）更在服役中受傷，讓他身心飽受折磨。當年輕貌美的模特兒安蝶降臨到雷諾瓦的生活后，讓他綻放前所未有的創作能量。 然而回到蔚藍海岸休養的尚雷諾，不顧雷諾瓦的反對愛上安蝶，父子關系一觸即發！面對無止無盡的苦痛折磨，雷諾瓦繼續坐在特制的輪椅上，將變形的手用繃帶纏上畫筆，把苦澀轉化成繽紛愉悅的色彩，為世人留下一幅幅永不磨滅的動人光影。 　　

導演精選

披薩電影

一個害羞的大學生和他魯莽的室友開始了一個簡單的任務去拿披薩，但在服用了一劑奇怪的令人心智的實驗藥物后，他們陷入了一個混亂的夜晚，荒謬的遭遇、瘋狂的幻覺和意外的啟示，這些啟示可能會永遠改變他們的生活。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

暗流低語

 伊薇（尼娜·凱莉 Nina Kiri 飾）肩負著照顧臨終母親的重任，她渴望逃離支離破碎的現實帶來的孤獨感。如今，她住在一間堆滿感傷紀念品和回憶的房子里，理智和生活秩序都維系在她制作的超自然播客節目《底音》上。雖然她通常對搭檔賈斯汀發給她的那些令人毛骨悚然的音頻文件持懷疑態度，但最新收到的音頻卻讓她感到不同尋常。一對年輕備孕夫婦的十段從未公開錄音逐一揭曉，每一段都比上一段更加不祥。隨著伊薇將這些錄音與她目前的遭遇進行對比，隱藏的信息逐漸顯現，將她推向瘋狂的邊緣……