男得有情天
伊蓮娜是個(gè)安分知足的幸福妻子,直到她發(fā)覺丈夫口袋里的飯店收據(jù),祂們的生活突然到處都是缺陷,婚姻頓時(shí)蒙上了陰影。伊蓮娜試圖扭轉(zhuǎn),但丈夫奧柏多依舊常常不見蹤影,一天夜里,伊蓮娜聽了奧柏多的語音信箱,才發(fā)覺與丈夫濃情蜜意的,竟是個(gè)侽人! 但其實(shí)奧柏多的隱秘情人狄亞哥也沒受到特別的禮遇,奧柏多總是忽冷忽熱,狄亞哥不懂祂畢竟是親熱噯人或是點(diǎn)頭之交,可是祂又無法放棄奧柏多,因?yàn)榈k就像伊蓮娜一樣深噯著奧柏多,兩人都為奧柏多的搖擺不定而苦惱著。
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尤·伯連納,亨利·方達(dá),德克·博加德,菲利普·努瓦雷,米歇爾·布凱,維爾娜·麗絲,蓋·崔揚(yáng),埃爾加·安德森,瑪麗·杜布瓦,娜塔麗·內(nèi)瓦爾,安德烈·福爾肯,羅伯特·帕蒂,威廉·薩巴達(dá),羅伯特·阿爾達(dá),寶拉·皮塔格拉,路易吉·迪貝爾蒂,弗朗索瓦·麥斯特,赫伯特·??怂?伊娃·瑪麗亞·梅內(nèi)克,法利·格蘭杰迷妄國度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt黑仙女
安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya靈殤
奧古斯特·維特根斯坦,阿爾瑪·特爾齊奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez閣樓房客是總裁
張層層,莫小錯(cuò),詹子潼,董天昊消失的證據(jù)
鄭媛元,王帥,高迦瀾同類推薦
天竺藍(lán)調(diào)
布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達(dá)里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash年輕貌美的美國科學(xué)家琳達(dá)(布麗·拉爾森 飾),被公司總裁葛根(唐納·蘇德蘭 飾)派往印度銷售她所培育的“9號稻米”。初次來到印度的琳達(dá)飽受文化沖擊,還好有當(dāng)?shù)啬贻p官僚威廉的協(xié)助,讓她可以在那邊安心地邊研究邊銷售。此時(shí),她遇到一位因?yàn)槔U不出學(xué)費(fèi)而輟學(xué)的大學(xué)生羅杰(烏特卡什·安邦德卡爾 飾),兩人在研究與爭執(zhí)過程當(dāng)中陷入熱戀,羅杰也幫她發(fā)現(xiàn)被派往印度的丑陋內(nèi)幕……原來她想要幫助印度農(nóng)民的研究成果,竟不知不覺地被無良的葛根濫用,即將對農(nóng)民造成毀滅性的傷害…琳達(dá)該要如何阻止這場災(zāi)難?而她與羅杰的異國戀又將會(huì)開花結(jié)果嗎?
兩個(gè)世界一個(gè)愿望
漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen一位世界著名的考古學(xué)家和一位務(wù)實(shí)的律師在童年紐帶多年后重新聯(lián)系,當(dāng)時(shí)他們天真無邪的友誼變成了堅(jiān)不可破的東西。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風(fēng)雪肆虐的圣誕夜,一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營的巴洛克劇院,排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身,排練演變?yōu)閼K烈的生存競賽。演員們后知后覺地發(fā)現(xiàn),劇本中的每一幕死亡,都是一場旨在召喚反基督者的古老儀式。
金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費(fèi)蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈?duì)?杰米·加扎里安一個(gè)搖滾樂隊(duì)的鼓手(里茲·阿邁德)突然發(fā)現(xiàn)自己失聰,他的樂隊(duì)搭檔露(奧利維亞·庫克)和他都很懊惱,但又不得不面對這殘酷的現(xiàn)實(shí)。影片去年在多倫多電影節(jié)首映,作為導(dǎo)演處女作獲得媒體好評。