劇情縱覽
別名: She Killed In Ecstasy 西班牙/西德1970年合拍情色片, 由西班牙著名鬼才導演杰斯弗蘭克導演的。講述一個女人為她的自殺而死的戀人醫生復仇的故事。
別名: She Killed In Ecstasy 西班牙/西德1970年合拍情色片, 由西班牙著名鬼才導演杰斯弗蘭克導演的。講述一個女人為她的自殺而死的戀人醫生復仇的故事。
由五個單元故事組成的GOOD TAKE,是香港電影新一代導演的創新作品,包括導演曾國祥《水泥》,講述警員9413(周柏豪)前往報案地點查案,最後只留下電話鈴聲卻不見其人,令人毛骨悚然;導演黃智亨的《囍宴》,一個小孩跟著跟爸爸(張兆輝飾)一起前赴媽媽新婚囍宴的故事,童真與成年人的無奈都盡在心頭;導演黃進的《Good Take》,透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事;導演楊龍澄的《不一定》,以型格對比色彩重構暴力血腥鏡頭;導演黃精甫的《嚇鬼》,Charlene(蔡卓妍飾)挑戰鬼屋一夜遊,遇上中國殭屍、長髮貞子和辮子姑娘,過程又驚又笑!五個故事各自有著不同風格及不同戲味!
暴風雪肆虐的圣誕夜,一群年輕演員受邀前往神秘的海森霍夫家族經營的巴洛克劇院,排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現身,排練演變為慘烈的生存競賽。演員們后知后覺地發現,劇本中的每一幕死亡,都是一場旨在召喚反基督者的古老儀式。
腦子缺根弦兒的九能帶刀(鈴置洋孝 飾)路過邪馬臺古董店,在店內看到了極為珍貴的鳳凰蛋。傳說只要擁有這枚蛋,便可領會到威力無比的魔劍鳳凰劍。為了打敗宿敵亂馬(山口勝平 飾),成為至高無上的強者,九能強買下鳳凰蛋。不過店主(北村弘一 飾)叮囑,無論如何千萬不能將蛋放在頭頂,否則將由可怕的事情發生。不幸的是,亂馬無意中將蛋放在了九能的頭上,一只長相奇怪的鳥兒誕生了。它幫助九能成為足以打敗任何對手的強者。爭強好勝的亂馬無論如何都要挽回面子……本片根據高橋留美子的漫畫《亂馬1/2》改編,系該動畫的劇場版第3部。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster