即刻觀影
劇情賞析
編輯推薦
探魔導師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫《探魔導師》將背景設定在一個由十大財團控制的架空歷史下的摩登市。洪冰瑤飾演的是個性別模糊能穿梭時空的魔導師T，因被迫卷入組織權利斗爭，成為組織的犧牲品。T協助警察破案來實現自己的人生價值。在調查“人類失蹤案”的過程中，T發現人類失蹤與畸形科技“潘多拉”有關，該科技利用人類原罪使人類互相欺詐謀殺，試圖讓整個摩登市陷入混亂，隨著線索一步步逼近，T漸漸意識到社會的種種混亂由十大財團操縱，一切的根源似乎直指給人類帶來巨大益處的人工智能，一場人類與人工智能的生存爭奪戰由此拉開。
賭俠1999
劉德華,朱茵,張家輝,高捷,張慧儀,張錦程,李子雄,吳毅將,吳志雄,黃子揚,林尚義,李兆基阿king（劉德華 飾）當年因出千被捕，事實上他是被人陷害的。出獄時他為他接風的是崇拜他已久的化骨龍（張家輝 飾），化骨龍是個終日無所事事的人，希望能跟著king有所作為。出獄后的king到處尋找已懷孕的妻子（張慧儀 飾），與當日的得力助手（張錦程 飾）， 后來King與化骨龍妹妹晴（朱茵 飾）產生了好感。 King得到Rocky（吳志雄 飾）的幫助上了賭船，碰見了多年前便想交手的馬交文（高捷 飾），king想與之一決高低，卻遭到馬交文的手下省鏡（李子雄 飾）陷害，揭開了king的底細更想進一步迫害king，king又能否躲過劫數呢？
血色斷片
瑪蒂娜·比茨科斯卡,喬安娜·奧波茲達,卡塔琳娜·薩芙楚克,皮奧塔·斯特拉莫夫斯基,邁克爾·茹拉夫斯基安雅負責打理馬祖里森林深處的一座豪華別墅，專門接待前來度假的富豪租客。她的下一批客人是兩對情侶：富有魅力的萊昂與美艷動人的埃萊妮，以及憨厚的布魯諾和他相戀多年的女友瑪格達。 布魯諾認出了安雅——八年前，安雅的妹妹莫妮卡曾是萊昂的女友，卻死于萊昂汽車炸彈爆炸事件。盡管多方作證，萊昂仍以謀殺罪僅被判入獄八年。此刻的萊昂似乎刻意忽視這場重逢，只顧沉溺于縱情享樂，并暗中與布魯諾謀劃一樁見不得光的加密貨幣交易：二人背著老板，將黑錢投入數字貨幣市場，企圖在24小時內通過幣值暴漲套現1000萬。 安雅同樣認出了萊昂，渴望逃離別墅，卻又不得不留守看管財產。她與萊昂共飲一杯后……次日清晨竟在森林中驚醒，手中握著染血的刀。不遠處河道里，她驚恐發現萊昂的尸體正隨水流漂浮。對于昨夜發生的一切，她毫無記憶，更不知該如何面對……
限時營救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy StriarFollows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
午夜場
范夢,馮言彥,鄧先宇,歷家兵,李子雄《午夜場》講述了戲院經理林梅（范夢飾演）與戲院大小姐子君（馮言彥飾演）是無話不談的閨蜜，在子君即將結婚前，無意間發現林梅好似和自己的未婚夫家俊（鄧先宇飾演）有著某種不為人知的關系。某一天，在他們工作的三十七號古宅內，一場備受關注的木偶劇目正在上演，而神秘的木偶附身也即將開始。隨著現實詭異畫面與林梅的夢境交織，令人意想不到的真相浮出水面！