荷蘭名畫

派對(duì)島上的危險(xiǎn)

林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey

性格內(nèi)向的律師梅爾·戴爾得知她愛冒險(xiǎn)的妹妹突然去世后感到悲痛欲絕。但當(dāng)她前往收集姐姐的尸體時(shí)，她很快就懷疑有人謀殺。她可能是下一個(gè)。

最美的島嶼

安娜·阿森西奧,娜塔莎·羅曼諾娃,卡普里切·貝內(nèi)德蒂,阿米·謝斯,米麗亞姆·A·海曼,薩拉·葳瑟,尼古拉斯·圖齊,拉瑞·凡斯登,安娜·邁,戴維·利特爾,娜塔莉亞·茲韋列娃,索里卡·沃爾夫,費(fèi)內(nèi)拉·A·丘多巴,布雷特·阿扎爾,奧若拉·漢姆巴赫,玢·羅賓斯,邁克爾·文森特

　　本片根據(jù)真實(shí)事件改變. 俄羅斯美女露西亞娜入境紐約后, 瀕于生活崩潰的邊緣, 除了保姆的工作之外, 她還得擔(dān)任另一份危險(xiǎn)的工作: 脫光后, 與世界最具有毒性的蜘蛛共處一隅....

學(xué)園便利屋

古川登志夫,平松広和,関俊彥,荘真由美,塩沢兼人

 片山愁の漫畫『學(xué)園便利屋』シリーズが原作のOVA。本作の副題である「アンティークハート」は腳本家の渡辺麻美によってつけられたもので、登場(chǎng)する妖精?沙姫も本作のためのオリジナルキャラクターである。アニメの実制作はJ.C.スタッフ。頭脳面を擔(dān)うリーダー格の鈴木斉、単純明快な本田高弘そしてクールさが特徴の川崎亨。彼ら3人は揉め事から代返まで何でもこなす學(xué)園の便利屋だ。そんな一同は體育館の新築に伴う舊校舎の取り壊しが決定する中、そこの整理をはじめるが、やがて內(nèi)部に住みついている妖精の長(zhǎng)?沙姫が出現(xiàn)。古くから存在する器物に宿った古き物の心「アンティークハート」の精霊たちを守るため、心優(yōu)しい沙姫は豹変して人間と戦おうとするが。

絕命孤城

施駿喆,婁宇瑤,徐永革,趙曉明,馮可

明朝中葉，西北邊城，青樓女子接連被殘殺，隱匿線索直指邊關(guān)軍營(yíng)，神捕白展飛奉命調(diào)查，卻屢屢受阻，無(wú)奈下只得暗中探查。然而當(dāng)他撥開層層迷霧，竟發(fā)現(xiàn)此案潛藏著一場(chǎng)不可告人的驚天陰謀。喋血孤城，命懸一線。（影劇備字〔2023〕第1669號(hào)）

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

昆池巖

魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟(jì)允,李承旭

　　原名南營(yíng)神經(jīng)精神醫(yī)院的昆池巖精神病院，最早建立于20世紀(jì)60年代。在特殊的時(shí)代它曾經(jīng)歷了無(wú)比的輝煌，然而更為人熟知的則是該醫(yī)院身上所發(fā)生的各類恐怖事件。現(xiàn)如今，早已廢棄的昆池巖醫(yī)院被CNN票選為全球七大恐怖之地之一，更由此吸引無(wú)數(shù)尋求刺激的青年男女來(lái)此探險(xiǎn)。三個(gè)月前，兩名青少年來(lái)此探險(xiǎn)，結(jié)果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網(wǎng)羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開備受詛咒的402室。　　夜幕降臨，全球網(wǎng)友一道觀看這場(chǎng)恐怖盛宴……

飛蛾日記

莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼

　　美麗女孩蕾貝卡（莎拉·博格 Sarah Bolger 飾）是一家女子教會(huì)寄宿學(xué)校的學(xué)生，開朗熱情的她在學(xué)校結(jié)識(shí)了許多好朋友，其中金發(fā)女孩露西（莎拉·戈登 Sarah Gadon 飾）與之關(guān)系最為融洽。二人形影不離，無(wú)話不說(shuō)，親密無(wú)間。新學(xué)期伊始，高挑冷艷的恩妮莎（莉莉·科爾 Lily Cole 飾）轉(zhuǎn)入她們的學(xué)校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適，可是露西似乎對(duì)其頗有好感，二人越走越近。與此同時(shí)，恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個(gè)恍如從哥特恐怖小說(shuō)中走出來(lái)的女子，究竟藏著怎樣的秘密……　　本片根據(jù)Rachel Klein 同名暢銷科幻恐怖小說(shuō)。