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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路本片是根據實際發生的「少年殺害了祖父母事件」的構思而改編成電影的嶄新故事。長澤扮演懶散奔放的母親·秋子,挑戰墮入了社會黑暗面的女人,而阿部サダヲ則飾演與秋子沒有結婚登記而同居的丈夫·遼,影片將重點刻畫秋子和她年幼的兒子·周平(郡司翔)之間所展開的關系。
養鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley第一集中,少女克莉斯蒂(Ashley Laurence 飾)的家庭遭受魔鬼賽諾貝斯的摧殘,親人相繼死亡,她本人也被送入精神病院治療。除了醫生助手凱爾(William Hope 飾)外,沒人相信克莉斯蒂的離奇故事。當瘋狂的醫生菲利普?切諾德(Kenneth Cranham 飾)從助手口中得知少女的經歷后,他決定將惡魔重新帶回人間。業已死亡的繼母朱莉(Clare Higgins 飾),在這個變態狂人的喂養下再次復活……
RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓1920年,英國總督斯科特和他的妻子凱瑟琳訪問阿迪拉巴德的一個部落,并強行帶走了部落里歌唱天賦異稟的小女孩瑪莉,部落的保護者比姆(小老虎 飾演)為了救回瑪莉,偽裝成穆斯林。斯科特得知消息后,總督府的底層衛兵拉朱(拉姆·查蘭·特哈 飾演)為了升職也同時為了完成他父親遺愿和他對部落承諾,主動請愿自己可以將比姆逮捕。比姆和拉朱因共同拯救了一個差點葬身火海的小男孩而巧遇,他們并不認識對方,然而兩人也隱藏了自己的真實身份,相互聯系,成為摯友。拉朱在一次調查中發現自己的摯友就是總督要逮捕的比姆,他一邊是承載了父親的遺愿和整個部落的承諾,一邊是自己的摯友,他該如何抉擇…..
遇見世界
杉咲花,南琴奈,板垣李光人,蒼井優,澀川清彥27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》,卻始終無法接納真實的自己。面對朋友們紛紛步入婚姻與家庭,她感到焦慮與孤獨,嘗試通過相親改變現狀,卻屢遭不順,醉倒在歌舞伎町街頭。此時,她被陪酒女萊伊救起,兩人由此展開一段微妙的關系。隨后,由嘉里又結識了已婚男公關朝日,三人各自背負著不同的生活壓力,卻在彼此陪伴中逐漸找到歸屬與勇氣。 影片改編自金原瞳撰寫的同名小說。
觸碰我
帕姬·布魯斯特,奧利維亞·泰勒·達德利,盧·泰勒·普奇一對互相捆綁的摯友,在生活崩塌之際,遇見了自稱能治愈一切創傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮,瞬間撫平焦慮與抑郁,卻在溫柔面具下藏著外星掠食者的獠牙。當兩人受邀前往他的偏遠莊園,這場“療愈之旅”徹底失控:觸手、血案、精神操控,一場以愛為名的寄生,正在吞噬他們的靈魂與世界。