特別的吻給特別的你

★ 2.7 播放:86萬 更新:2026-04-26

珊卓自小迷戀未知的神秘世界、對動物尸體總是寄予無以名狀哀憐之情,她眷戀死亡的氛圍、死尸的氣味,她為一切尸體進行她所堅持的死亡儀式。珊卓長大之后,在一次送花到殯儀館的機緣之下,決定應征全職的死尸化妝師。她跟館主學習腐尸的善后及上妝技巧,她一步一步的試探底線、她發掘、猶豫、進而跨越、著迷。珊卓在工作中探索出生命最深層的真意,并藉此發現了愛欲殿堂的信道。 一般來說,戀尸癖多為男性,但這部電影中的主角是美麗柔弱的女人,而且她和一般的男性戀尸癖不同,她迷戀的重點不在性器官和性快感上,相反,她戀尸戀得猶如初戀的小女生,小憂郁、小純情、甚至還有一點小浪漫。影片中大量用過曝的白光來渲染這種戀尸的精神性和純潔性。   

在線播放

劇情簡介

珊卓自小迷戀未知的神秘世界、對動物尸體總是寄予無以名狀哀憐之情,她眷戀死亡的氛圍、死尸的氣味,她為一切尸體進行她所堅持的死亡儀式。珊卓長大之后,在一次送花到殯儀館的機緣之下,決定應征全職的死尸化妝師。她跟館主學習腐尸的善后及上妝技巧,她一步一步的試探底線、她發掘、猶豫、進而跨越、著迷。珊卓在工作中探索出生命最深層的真意,并藉此發現了愛欲殿堂的信道。 一般來說,戀尸癖多為男性,但這部電影中的主角是美麗柔弱的女人,而且她和一般的男性戀尸癖不同,她迷戀的重點不在性器官和性快感上,相反,她戀尸戀得猶如初戀的小女生,小憂郁、小純情、甚至還有一點小浪漫。影片中大量用過曝的白光來渲染這種戀尸的精神性和純潔性。   

導演精選

噬童魔

  孤兒薩曼塔,和她的養父母以及妹妹奧利弗住在一起,但是他的養父并不喜歡她,老是責罵她。由于他們的家位于森林深處,所以回家必須經過森林,但是,他們不知道森林里有樹怪,他們能誘捕兒童,然后把抓到的孩子困到他們的巢穴,然后再幻化成孩子的模樣,回到他們的父母身邊,所以數百年來,這片森林數百年來都有兒童走失的案例,不幸的是,由于薩曼塔的疏忽,讓她的妹妹獨自穿過森林,然后就被樹怪擄走啦,接著就發生了一連串死亡事件,那么薩曼塔一家能夠逃過一劫嗎?

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

莎拉·米利根:大器晚成

莎拉·米利根講述了她從尷尬青少年成長為自信喜劇演員的故事,用幽默的方式回憶了校園惡霸、公共淋浴間,還有她那些尷尬的私密經歷。