蝴蝶

評分：6.2 播放：76萬 更新：2026-04-24
主演： 蘭維爾·肖里 

提特里（沙善·阿羅拉飾）生活在德里貧民窟，家里排行第三，他與大哥（蘭維爾·肖里飾），二哥（阿米特·希爾飾）共同操持一樣不太正當的家族生意——劫車。只是，天性向往“不羈放縱愛自由”的老幺，已經受夠了兩位兄長的蠻橫專制，處處擺布，以及硬塞給他的婚姻，捆綁他的人生。躁動的心只想逃離，但是，逃離之后就能收獲自由了嗎？

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　　Luna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.

末世家園

泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛·達斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa

　　一對夫婦在被暴徒控制的中西部地帶，只有通過與之斗爭才能回家的故事，影片將于6月29日北美上映。

有關謊言的真相

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　　當真相鋪天蓋地而來，令人根本無法接受的時候，吉爾比發現自己早已陷入了一個錯綜復雜的謊言網無法脫身。當真相鋪天蓋地而來，令人根本無法接受的時候，吉爾比發現自己早已陷入了一個錯綜復雜的謊言網無法脫身。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster